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   <head>
      <meta name="dtb:uid" content=""/>
      <meta name="dc:Title" content="Odds on the 8-Ball"/>
      <meta name="Author" content="Robert Leslie Bellem"/>
      <meta name="Description"
            content="Mystery, Suspense, History, Gothic, Literature, Books, Arts"/>
   </head>
   <book>
      <frontmatter>
         <doctitle>Odds on the 8-Ball</doctitle>
      </frontmatter>
      <bodymatter>
         <level1>
            <h1>Odds on the 8-Ball</h1>
            <level2>
               <h2>Robert Leslie Bellem</h2>
               <p>This page formatted 2011 Blackmask Online.</p>
               <p>
         
         
         
         
         
         
         
         
         http://www.blackmask.com<br/>
			               <br/>
		             </p>
               <!-- **** No template for element: pre **** -->
EText from pulpgen.com
<p/>
               <p/>
               <!-- **** No template for element: i **** -->
		<p>
			
<!-- **** No template for element: i **** -->Hollywood Detective, March, 1944
            
			
<!-- **** No template for element: b **** -->
			
		</p>
               <p>
			
<!-- **** No template for element: b **** -->Trying to trip up a kidnaper, Dan Turner finds himself in the middle
            of a murder mess. Behind it all looms up the hoodoo cab, license
            number, 8-BA-11. Accidents, lawsuits, and now a murder! But what can
            you expect of a cab, handicapped like that, and with a girl driver to
            boot?
		</p>
               <!-- **** No template for element: b **** -->
		<p>MY JALOPY was laid up for lack of rations and I was using a Yellow
         when the trouble erupted. To make matters worse, my hacker was she-male
         gender: a smooth young brunette filly with a nice touch on the wheel
         and even nicer curves under her uniform. War-time Hollywood is full of
         these chauffeurs in skirts, and I had drawn the cream of the crop.
      </p>
               <p>All of a sudden the cream curdled. She twisted her tiller to the
         right; gave vent to a tonsil-splitting yeep.
      </p>
               <p>We were walloping out Wilshire at the time, which was about midnight.
         I was dozing in the tonneau after an evening spent at various gin
         mills; and now, pleasantly bottled on Vat 69, I had ordered my cabby to
         roll me home to my apartment stash. I was lying down on the rear seat
         when the crash came.
      </p>
               <p>First the jessie yodeled, which rousted me out of my torpor in a
         thundering yank. Then she swerved curbward before I could sit up
         straight. The next, thing I knew there was a jarring bump as a front
         tire smacked the curbstone. The impact jolted me to the floor;
         temporarily wedged me there.
      </p>
               <p>I gasped: “What the—!” and tried to unscramble myself from the
         movable foot- rest. Nobody heard me, though. The commotion up forward
         would have drowned out the Battle of Gettysburg. Apparently another
         chariot had shoved my cab to the gutter, and on the heels of this
         skullduggery some sinister character emerged from the offending crate
         to lay violent mitts on my delishful driver.
      </p>
               <p>The result was a fracas that sounded like a riot in a boiler factory.
         The jane screeched, the guy cursed, and there was a drumming of tiny
         heels on the floorboards. Presently I heard a slap, a moan and a
         scuffling noise that subsided into abrupt silence; then came panted
         breathing and a slithering of soles being dragged on asphalt. A car
         door slammed.
      </p>
               <p>THE thing was finished in a flash. Just as I got my plastered
         poundage untangled, gears clashed and a motor roared. I raised myself
         barely in time to tab a dark sedan spurting away like a comet with the
         hot-foot. My hacker was in it, of course; she'd been bopped groggy and
         grabbed. Snatchery had been committed under my very optics—and I
         hadn't lifted a finger to prevent it. Me with a private badge beneath
         my lapel and a roscoe holstered inside my coat!
      </p>
               <p>My orey-eyed condition was no excuse. I should have got out from
         under the foot-rest, tried to protect the chick. Maybe her abductor
         would have laid off if he'd known she had a passenger; obviously the
         only reason he'd pulled the stunt was because the tonneau had seemed
         empty. It was my fault for lying down when I should have been sitting
         up.
      </p>
               <p>The situation had its silver lining, though, even if it was slightly
         tarnished. At least the snatch artist didn't know he'd been witnessed
         at his work. Realizing this, I got cold sober in a hurry; slammed my
         heft up front and took the taxi's rudder; clanked the gears. Three
         blocks distant you could see a pair of crimson dots, the kidnap sedan's
         tail lights. I started driving buckety-larrup in vengeful pursuit.
      </p>
               <p>And then, just when I'd begun to shorten the gap, hard luck
         overhauled me.
      </p>
               <p>The hard luck was wearing a blue uniform and riding a motor bike, and
         he was one of the toughest looking cops you'd care to encounter at
         sixty miles an hour. He cut loose with a screaming blast of his soprano
         siren; opened his yap and yelled me toward the curb.
      </p>
               <p>“Ix-nay, dopey!” I caterwauled back at him without reducing speed.
         Then I made a gesture at the snatch chariot ahead; tried to make him
         savvy the score. “Kidnaper in that black bucket. He captured my cabby!”
      </p>
               <p>The bull couldn't hear me over the thunder of his cylinders. He
         reached down to his belt, then again waved me curbward. This time his
         wave was emphasized by a service .38 which he thereupon aimed at my
         noggin. “Pull over.”
      </p>
               <p>I damned him, damned his family, his precinct, and his brother
         officers. I also tossed out my four wheel anchors; screeched to a
         shuddering halt. Then, as the motorcycle minion dismounted and stalked
         stiff-legged at me I shrilled: “You numbskull, climb back on your bike
         and get that sedan. It's a—”
      </p>
               <p>“Quiet. Let's see your wrists.” He sounded mean.</p>
               <p>I blinked at him. “What about my wrists?”</p>
               <p>“I've got cuffs for them.” He produced his nippers.</p>
               <p>“Now wait a minute,” I snarled. “You can't do this. I'm Dan Turner.
         I'm a private dick.”
      </p>
               <p>He made a nasty mouth. “Don't irritate me. Your wrists. I'm not going
         to ask you again. That's a warning.”
      </p>
               <p>“You won't listen to me about the kidnaping?”</p>
               <p>“I won't even listen to you about the murder.” Then he conked me over
         the cranium with the barrel of his gat; dealt me one of the dirtiest
         taps I've ever taken. I passed into a sudden coma with his mysterious
         mumble about a murder still buzzing within my dislocated brains.
      </p>
               <p>MY FRIEND Dave Donaldson of the homicide bureau resurrected me by
         pouring a jorum of gin down my gullet. I hate gin; Scotch is my tipple.
         I choked, strangled, came awake and discovered I was in Donaldson's
         office at police headquarters. My scalp was throbbing where I'd been
         maced, my throat was afire from Dave's alcoholic first aid, and my
         disposition was as rancid as a milk-and-vinegar cocktail. “Hey,
         dammit—!”
      </p>
               <p>“Take it easy,” Donaldson's growl matched the grimness that darkened
         his beefy features. “Know where you are?”
      </p>
               <p>I lurched to my pins. “Certainly. I suppose that motorcycle moron
         brought me here. Or had me brought!”
      </p>
               <p>“He did. On a murder charge.”</p>
               <p>“What is this?” I bleated indignantly. “The thing was a kidnaping,
         not a bumping. I tried to tell the guy but he wasn't in a listening
         mood.”
      </p>
               <p>“He wasn't supposed to listen. He and every other cop on the force
         had radio orders to pick up a certain cab and whoever was driving it.
         Okay; you were driving it. Damned fast, too, according to his report.”
      </p>
               <p>I said: “Of course I was traveling fast. My hacker had been snatched
         and I was trying to catch up with her.”
      </p>
               <p>“You mean she'd been killed and you were trying to get away from her.
         You were putting distance between yourself and her body. Why'd you
         croak her, Hawkshaw?”
      </p>
               <p>“Don't be an idiot,” I rasped. “She was alive the last time I lamped
         her. If she's defunct now, it's news to me.”
      </p>
               <p>Dave's glimmers narrowed. “She's dead, all right.” He glued the
         clutch on my arm. “Come along. I'll show you.” Whereupon we took a
         swift mosey to the morgue and he nudged me toward a slab of marble that
         had something on it; something covered by a white sheet. He yanked the
         sheet downward. “Take a look at her and begin spilling.”
      </p>
               <p>Scrutinizing corpses isn't my idea of a pleasant occupation,
         especially when other people are scrutinizing me. In this case the
         other people were Donaldson himself and another guy who was already in
         the chilly chamber, ankling up and down like a hyena in a cage. This
         jittery bozo was short, skinny and sallow; the type you'd cast for
         mobster roles in Class quickies. I didn't like the furtive way he kept
         staring at me, and under other circumstances I might have told him so.
         Right now, though, I couldn't be bothered. I was too busy studying the
         murdered wren.
      </p>
               <p>She was embellished in a grey whipcord uniform, and in life she'd
         been fairly pretty if you go for peroxide blondes; but her beauty was a
         trifle marred by a bullet hole in her forehead. It gave me a queasy
         feeling when I piped it.
      </p>
               <p>I turned to Dave. “When and where did it happen?”</p>
               <p>“As if you didn't know,” he sneered sourly. Then he had the decency
         to dredge his notebook from a coat pocket and warble me the facts he'd
         gathered, which weren't many. “At eleven fifteen tonight a Yellow cab
         traveling west on Hollywood Boulevard made a left turn at Cahuenga. Its
         door accidentally opened, and this corpse fell out.”
      </p>
               <p>“So what?”</p>
               <p>“Whoever was at the wheel evidently realized the beans were spilled
         and pulled away fast. But a bystander got the hack's license number,
         8-BA-ll, and phoned headquarters.”
      </p>
               <p>“And?”</p>
               <p>“I put out a radio bleat, had the dead girl brought in, and called
         the taxi company. Their night despatcher identified her.” He indicated
         the sallow character. “This is the despatcher, Joe Brock.”
      </p>
               <p>BROCK stopped pacing long enough to snivel: “Yes. She's Betty
         Calvert, the regular driver of cab 8-BA-11. That damned hack has been
         unlucky ever since it got those numbers. When you look at the figures
         and letters they seem to spell
<!-- **** No template for element: i **** --> 8-Ball. A hoodoo, that's what it
         is! Accidents, lawsuits, and now Betty murdered! We were to be
         m-married next week. . . .”
      </p>
               <p>“That's tough,” I tried to make my tone sympathetic but didn't
         succeed too well. There was something about this Brock citizen that
         rubbed my fur the wrong way; something phony and insincere. His grief
         had a counterfeit quality, or at least that was the impression I got.
      </p>
               <p>Donaldson went on: “The way I see it, Miss Calvert was shot and
         stowed in the tonneau; the killer probably intended to dump her later,
         but not so openly.”
      </p>
               <p>“This was quarter after eleven?” I said.</p>
               <p>Dave nodded. “And a little past midnight you were picked up driving
         that cab. What can you say to that?”
      </p>
               <p>“Plenty.” I put a gasper in my profile, set fire to it. “At
         eleven-fifteen I was swilling Scotch at the Beachcombers' joint on
         McCadden Place. The waiters and bartenders will alibi me.”
      </p>
               <p>“Are you leveling?”</p>
               <p>“Yeh. I hailed the cab and boarded it just a few minutes before
         midnight. Shortly afterward that bull pinched me. Check up and you'll
         find I'm telling the truth.”
      </p>
               <p>His puss started to redden. “But—but—”</p>
               <p>“My chauffeur was a jane, but not this blonde. Mine was brunette, and
         she got snatched. I tried to pull a rescue and wound up with a lump on
         the dome. Police efficiency,” I added in a sarcastic voice. “Hit first
         and ask questions later.”
      </p>
               <p>Donaldson made placating gestures. “Don't hold that against us,
         Sherlock. Dammit, he was doing what he thought was his duty. After
         all—”
      </p>
               <p>That was as far as he got with the official apology routine. The rest
         of it was interrupted by the headlong arrival of a dapper guy in
         expensive tweeds, a party whose prematurely grey hair made curious
         contrast to his youthful pan. He came busting into the morgue room;
         pelted forward and glommed a frantic swivel at the deceased Calvert
         cookie. Then he pivoted with a flabbergasted look in his bulging
         peepers.
      </p>
               <p>''This isn't Gloria!” he panted. He grabbed Donaldson by the lapels.
         “Where is she? For God's sake tell me!”
      </p>
               <p>TO MAKE this screwball outburst all the crazier, I recognized the
         youthful yuck with the frosty tresses. His name was Todd Quentin and he
         was a flack—a press agent— for Magnifilm Studios. I'd met him on
         several clambakes around town and I knew his reputation for planting
         clever publicity stories in the newspapers for the benefit of Magnifilm
         stars and starlets. He wasn't acting like a public relations expert
         now, though. He seemed to be scared spitless; on the verge of the
         screaming meemies. That was proven by his antics. Nobody in his right
         mind would try to shake Dave Donaldson's lapels. It was the same as
         striking matches in a dynamite factory.
      </p>
               <p>I dropped a duke on Quentin's shoulder, spun him around and said:
         “Ease off, bub, or the lieutenant's likely to deprive you of your front
         teeth; he's touchy tonight. What's got your tripes in such an uproar?”
      </p>
               <p>“Hunh?” he gave me a blank glance. Then he tabbed me. “Turner!”</p>
               <p>“Yeah, in person. Why all the excitement?”</p>
               <p>He shivered. “I just heard a radio newscast that a girl cab driver
         had been m-murdered, and I thought it was Gloria. I mean I was afraid
         she—that is, I—”
      </p>
               <p>“Gloria who?” I said.</p>
               <p>“Gloria Farrand.”</p>
               <p>The monicker made me blink. This Farrand cupcake he'd mentioned was
         Magnifilm's latest starring discovery, a delishful little raven-haired
         dish who'd come up through the extra ranks, won herself a fat contract
         on the basis of sheer acting ability plus an added cargo of she-male
         loveliness. A year ago she'd been utterly unknown; now she was one of
         the best bets in the galloping snapshots.
      </p>
               <p>But I still couldn't figure what Quentin was yeeping about. I said:
         “Why should you think Gloria Farrand got creamed while tooling a
         Yellow? She's a movie star, not a hacker. You don't make sense.”
      </p>
               <p>“Sure she's a star. But she was driving a taxi tonight. Sort of a
         publicity stunt. And now I c-can't f-find her!”
      </p>
               <p>Donaldson clouded up like a storm hunting a place to sprinkle. He
         horned into the dialogue with: “Back off and start again. From the
         beginning.”
      </p>
               <p>“It was a gag,” the Quentin character quavered. “I thought it up
         myself. Gloria was to wear a cabby uniform from the studio's costume
         department and drive a taxi from midnight to dawn, incognito.”
      </p>
               <p>“Speak English,” Dave snarled.</p>
               <p>QUENTIN went on: “The idea was to see if any passengers recognized
         her. If so, we'd break the story that way.
<!-- **** No template for element: i **** --> Public Spots Movie Star
            Despite Disguise. But if nobody realized who she was, we planned to
         play it from the reverse angle.
<!-- **** No template for element: i **** --> Talented Star Hoodwinks Public.
         Whichever way it broke, we couldn't miss hitting a jackpot of newspaper
         headlines.”
      </p>
               <p>“Very clever, I'm sure,” Dave said heavily. “For Pete's sake, the
         crackpots there are in this crazy town!” He thrust out his jaw. “Well,
         then what?”
      </p>
               <p>“We arranged the deal with—” Quentin stared across the room and
         noticed the sallow despatcher ”—with Mr. Brock there. And with this
         girl on the slab,” he added, indicating the defunct Betty Calvert. “She
         was to turn her cab over to Gloria around eleven o'clock tonight at a
         certain intersection.”
      </p>
               <p>Joe Brock nodded jerkily; didn't stop pacing back and forth. “It's
         true, just like he says. That's exactly how it was to happen.”
      </p>
               <p>“And did it?” Donaldson asked dourly. “I mean, did this Calvert girl
         give her hack to Gloria Farrand as agreed?”
      </p>
               <p>Brock licked his lips. “I don't know. I wasn't there. I had to be at
         my despatcher's desk in the garage office.”
      </p>
               <p>“Well, then, would
<!-- **** No template for element: i **** --> you know?” Dave looked at Quentin.
      </p>
               <p>“No. That is, I made the arrangements but I didn't think it was
         necessary to be on hand and follow them through. Gloria knew the time
         and place where she was to get the taxi from Miss Calvert, so I didn't
         bother to go with her. I stayed home and waited for her to phone me a
         report after midnight. She promised she would let me know how she was
         making out.”
      </p>
               <p>“But she didn't phone?”</p>
               <p>“No. All I heard was a radio report that a girl hacker h-had been
         murdered, and I rushed right d-down here. . . .”
      </p>
               <p>Dave thoughtfully rubbed the stubble on his jowls. “It's all clear
         now,” he announced. “I get the picture. Gloria Farrand had some secret
         grudge against Betty Calvert. When Betty showed up in cab 8-BA-ll,
         Gloria croaked her and stowed her in the rear; lost the corpse a little
         later at the corner of Hollywood and Cahuenga. Then she—”
      </p>
               <p>“Don't you dare say that!” Quentin yammered. “Gloria's one of our
         most important stars at Magnifilm! You can't accuse her of being a
         murderess! I won't have it.”
      </p>
               <p>“You won't, huh?” Dave smiled sweetly, the way a man-eating tiger
         does before it samples your gizzard.
      </p>
               <p>I decided it was time to poke my oar in. “Look,” I said. “I guess we
         can take for granted it was the Farrand doll who drove the cab I rode
         in. But that doesn't prove she committed killery. Quite the contrary.”
      </p>
               <p>“How come?” Dave demanded.</p>
               <p>“If she had been the one who'd lost Betty Calvert's remainders, she'd
         have ditched the hack in a hurry. She wouldn't cruise around for
         passengers. Furthermore, there's still her kidnaping to be explained.”
      </p>
               <p>The Donaldson countenance assumed a supercilious expression. “Okay,
         genius. Explain it.”
      </p>
               <p>“Sure.” I torched a fresh coffin nail. “The kidnaper is the guy who
         cooled Betty Calvert.”
      </p>
               <p>“Is that a riddle or just doubletalk?”</p>
               <p>I SAID: “Neither; it's a logical theory. I really shouldn't tell it
         to you after the way I've been pushed around by the law tonight, but
         here it is anyway. We'll start with the snatch artist. Somehow he
         learned that Gloria Farrand was going to tool a taxi. She's a valuable
         Magnifilm property, so he decided to put the grab on her; hold her for
         ransom.”
      </p>
               <p>“Get to the point.”</p>
               <p>“Well, let's assume he made his play a little too early. Instead of
         getting the Farrand cookie he finds he's waylaid Betty Calvert, who's
         no good to him. But if he releases her, she might warn Miss Farrand, so
         he plugs her.”
      </p>
               <p>Dave lifted a lip. “Pretty thin, Philo.”</p>
               <p>“It can be thicker. Maybe the Calvert quail recognizes this would-be
         abductor. Therefore he's got to murder her to keep her from beefing to
         the cops. So now what does he do? He stuffs the corpse in the
         tonneau—and then accidentally loses it at Hollywood and Cahuenga.”
      </p>
               <p>“Next chapter, please.”</p>
               <p>I said: “He drives the empty cab to a certain spot and abandons it
         there. Presently Gloria Farrand shows up, blissfully ignorant of what
         has happened. She sees the empty hack and assumes it's been left there
         for her. She drives away in it; later picks me up as a passenger. Does
         this make sense?”
      </p>
               <p>“I hear you talking.”</p>
               <p>“All right. Now the killer is cruising around in his own jalopy. His
         plans have been knocked galleywampus because he'd kidnaped the wrong
         jane and been forced to bump her. Suddenly he notices cab 8-BA-ll going
         by. This time the Farrand wren is at the wheel, the doll he yearns to
         snatch. Her taxi looks vacant; how can he guess I'm lying down on the
         rear seat? So he jams the jessie to the curb, strongarms her into his
         own sedan, and gets away with her. Which explains everything.”
      </p>
               <p>“It does if I choose to believe there was such a thing as a kidnap
         sedan,” Dave grumbled. “How do I know you weren't having a drunken
         nightmare?”
      </p>
               <p>I felt my temper bristling. “If it was a dream, it was clearer than
         any I've ever had before. I even tabbed the getaway buggy's rear plate;
         made a note of the number just before the bull on the motorcycle
         flagged me down.”
      </p>
               <p>“Well for Pete's sake!” he roared. “Why didn't you tell me that in
         the first place? Let's have it. I'll put out a dragnet; comb Southern
         California until we find—”
      </p>
               <p>“Stew you,” I said.</p>
               <p>“Wh-wha-what?”</p>
               <p>I favored him with a sardonic leer. “I have nightmares. I'm just a
         tackling dummy for the police department. The cops shove me around and
         I'm supposed to like it. You call me a liar. Okay, so I'm a liar. Skip
         the whole thing.” I pivoted on my heel, aimed for the exit; powdered.
      </p>
               <p>And then, just as I gained the sidewalk, somebody pelted up behind
         me; shoved a rod against my favorite kidney. “Freeze,” a sniveling
         voice said. “Before I burn you down.”
      </p>
               <p>I RECOGNIZED those nasal accents even though I couldn't see the guy
         with the gat. “Hi, Brock,” I remarked. “Does the cab company teach its
         despatchers to handle firearms or did you learn in college?”
      </p>
               <p>“None of your mouth. You know I ain't a college punk. Walk forward
         slow. In that alley there. I'm going to beat the bejaspers out of you
         with this heater.”
      </p>
               <p>I said conversationally: “That's nice. Mind telling me why?”</p>
               <p>“No I don't mind. You tried to put the finger on me, that's why.”</p>
               <p>“What finger?” I asked him.</p>
               <p>“You rigged the story so I'd be the only one they could suspect when
         they got around to thinking about it. Nobody else was hep to the Gloria
         Farrand deal but me. I made the arrangements to let her have a hack. I
         knew where she was to pick it up. Donaldson's going to tumble to all
         that pretty soon; then the heat will be on me. They'll say I'm the
         kidnaper and killer.”
      </p>
               <p>I turned carefully, put the steady focus on him. “And aren't you?”</p>
               <p>The question drove him off his chump. He raised his roscoe; started
         to slam it across my complexion. I ducked, swung, pounded the cannon
         out of his clutch. It landed with a clatter on the alley pavement. Then
         I grabbed his shoulders, yanked him toward me. At the same time I
         lowered my noggin; butted him.
      </p>
               <p>My descending cranium caught him full on the smeller; squashed it
         like a ripe strawberry. He moaned, staggered, started folding. I
         assisted this folding process by doling him an uppercut—a short,
         snappy punch that jolted him as stiff as a load of lumber. He dropped.
      </p>
               <p>I ankled out of the alley, whistling to myself. Ten minutes later I
         found an all night beanery; used its pay phone and called Dave
         Donaldson. “Meet me at my apartment stash as fast as you can get
         there,” I said. “I have tidings.”
      </p>
               <p>Then I hailed an owl cab and went home.</p>
               <p>DAVE ARRIVED almost as soon as I did. “News, eh?” he barged to my
         cellarette, poured himself an uninvited snort of highland lightning.
         “Let's hear it.”
      </p>
               <p>“Okay.” I took a slug of the same medicine to ward off snakebite. “I
         pulled a rannigan on you at the morgue when I said I'd tabbed the
         snatch car's pads. That was a lie.”
      </p>
               <p>He coughed in his jorum. “Why, you—”</p>
               <p>“I had a reason,” I said soothingly. “In the first place the
         killer-kidnaper has to be somebody who knew all about Gloria Farrand's
         deal to become a hacker for the night. The stunt was supposed to be a
         secret, but at least four characters shared it.”
      </p>
               <p>“Four?”</p>
               <p>“Sure. Todd Quentin was one; he dreamed up the idea. Gloria herself
         was the second; she was to benefit from the publicity—never guessing
         she'd be abducted. The third was the she-male in charge of cab 8-BA-ll,
         Betty Calvert.”
      </p>
               <p>“Count her out of it,” Dave growled. “She's dead.” Then his glimmers
         widened. “Hey, that leaves the despatcher guy with the sallow map; Joe
         Brock!”
      </p>
               <p>I nodded. “Naturally he was in on the scheme. Anyhow, I pretended I
         could identify the kidnap sedan if I wanted to. Then I clammed up.”
      </p>
               <p>“What was the idea?”</p>
               <p>“I figured the guilty party would be scared I might reverse myself
         later and slip you the information. If that thought came to him, he
         might try to shut me up.”
      </p>
               <p>“You mean bump you? You're using yourself as live bait?”</p>
               <p>“Yeah. And I've already got a nibble. Brock followed me out of the
         morgue, pulled a rod on me.”
      </p>
               <p>“Well I'll be go to hell!”</p>
               <p>I said: “It wasn't much of a fracas. I clipped him on the dimple with
         a set of fives; rendered him useless for a while.” I blew on my
         knuckles. “The last I saw of him he was out like a light in the morgue
         alley.”
      </p>
               <p>“For the love of Whozit!” Dave caterwauled. “Why didn't you come back
         inside and tell me? I could have pinched him, used a rubber hose on him
         to make him confess! Dammit, Sherlock, what's wrong with you?”
      </p>
               <p>“Avarice,” I said. “It's my worst failing. I'm in this racket for all
         the geetus I can collect. I'm trying to save up a retirement fund
         before some dumb copper bunts me once too frequently and installs me in
         a wooden kimona.”
      </p>
               <p>He looked bewildered, which wasn't hard for him to do. “How do you
         figure to make any dough out of this mess?”
      </p>
               <p>“By rescuing Gloria Farrand,” I said. “Her studio ought to kick in
         with a nice reward if I pull the trick.”
      </p>
               <p>Comprehension spread across his mush. “I get it! By letting Brock run
         loose, you think he may lead you to where the jane's being held
         captive!” Then he scowled. “But isn't he likely to take another crack
         at you first?”
      </p>
               <p>“I'm hoping for another attack, yes,” I admitted. “Let's put out the
         lights and see what happens.” I clicked the switch, took Donaldson's
         arm, steered him into my bachelor boudoir. After he was settled in a
         closet I went to the bed, arranged the pillows to look like a sleeping
         figure. It was a corny setup straight out of dime novels, but I had a
         hunch it would work.
      </p>
               <p>I joined Dave in the closet. “No matter what happens, don't show
         yourself; don't do any shooting. Everything depends on that. Savvy?”
      </p>
               <p>His grunt meant yes, he understood.</p>
               <p>TIME snailed by. Thirty minutes. An hour. I'd have given my left arm
         for a gasper and a jigger of skee but I didn't dare move. The luminous
         dial of my strap watch showed another hour going to hell in no great
         hurry; and then, abruptly, there was the sound of a window being
         cautiously opened across the room. Some sharp disciple was coming in
         from the fire escape landing.
      </p>
               <p>A hooded flashlight winked briefly, just long enough to dab a spray
         of glow on the bed and fix its position. Then there was a dull report;
         a stab of flame from the muzzle of a gat wrapped in many thicknesses of
         cloth. The cloth served as an improvised silencer, muffling the
         gun-thunder. My pillow dummy twitched under the covers.
      </p>
               <p>Alongside me in the closet, Donaldson tensed. I pinched his arm,
         signaled him quiet. A blurry form was vanishing beyond the window,
         lowering itself out of sight.
      </p>
               <p>The instant it was gone I whispered: “Now, chum.” Then Dave and I
         scuttled across the flat, blipped to the corridor and descended the
         stairway as fast as we could ramble. We gained the main lobby door just
         in time to lamp a black sedan pulling away from the curb, its headlamps
         and taillights doused.
      </p>
               <p>“The snatch bucket!” I said. “We don't dare lose it or the whole case
         falls apart!”
      </p>
               <p>Dave was already slamming toward his official chariot at a careening
         clip. I leaped along with him, piled in. He took the wheel and we
         boiled into sudden motion under forced draft. Dead ahead the black
         sedan yowled around a corner. We made the same turn with our own lights
         switched off. The chase commenced; but our quarry didn't know it. We
         stayed just the right distance behind him to keep him from suspecting
         it.
      </p>
               <p>Presently Donaldson said: “Look where the louse is going—straight
         for the Yellow garage! That proves it's Joe Brock. Now we've got the
         deadwood on him!”
      </p>
               <p>“We haven't got Gloria Farrand, though,” I snapped. “Take it easy.
         He's parking. Stop here and we'll gumshoe the rest of the way. There he
         goes through the side entrance.”
      </p>
               <p>The next couple of minutes were nip and tuck. We skulked to the
         garage, crossed the threshold into solid darkness. There was a smell of
         old rubber and oil and gasoline in the joint, heavy and pungent. This
         section was the repair shop where damaged cabs underwent mechanical
         surgery; a partition separated it from the front area. There were
         probably lights burning in that front portion, but not here in the
         back. Which might have been disastrous for the detective business,
         except for the fact that we got an abrupt break of luck.
      </p>
               <p>Our guy used his flashlight for a split second. That spotted him for
         us. We piped him scuttling through a narrow doorway. He disappeared.
      </p>
               <p>THE doorway stood alongside an oversized elevator platform; a giant
         freight elevator used for conveying taxis to and from the upper storage
         floors. When we reached the aperture, we discovered a steep steel
         staircase leading downward into the elevator pit; the cavernous
         subterranean chamber which housed the platform's big hydraulic plunger.
         This plunger was what raised and lowered the elevator proper, and the
         pit itself made the concrete- lined bottom of the huge square shaft.
         Except when the mechanism needed tinkering, nobody would ever enter the
         pit; therefore it formed a perfect hideout for a kidnap victim. It was
         the one spot a guy wouldn't ordinarily think to search.
      </p>
               <p>And the snatch artist had led us straight to it!</p>
               <p>Below us, his electric torch was glowing again. In its dull
         reflection I got a gander at him, saw he was wearing a hood mask of
         black cloth with two slits for his glimmers. The material adhered to
         his noggin and draped his puss; rendered him unrecognizable.
      </p>
               <p>You could recognize his captive, though. The brunette Gloria Farrand
         lay in a far corner, trussed like a Christmas goose and clad in a
         hacker's uniform. There was a gag in her gorgeous kisser and fright in
         her dark optics. She squirmed against her bonds, made whimpering
         noises.
      </p>
               <p>I nudged Donaldson. “There's the chick who drove the 8-Ball cab I
         rode in,” I whispered grimly. “Now will you believe what I told you
         about the snatch?”
      </p>
               <p>“Yeah. Imagine a movie cutie in a spot like this. Come on—let's wash
         it up.” He pulled his service .38 and went catapulting downward. “Okay,
         Joe Brock. Get your mitts up before I make a sieve of your giblets!” he
         roared.
      </p>
               <p>The masked character gave vent to a startled yeep; whirled and froze
         when he lamped Dave's artillery. I crossed the floor of the pit, barged
         close to him and said: “The jig's up, chump. Only you aren't Joe Brock.
         You're Todd Quentin.”
      </p>
               <p>Then I yanked off his black hood, revealed the prematurely grey hair
         and youthful map of the Magnifilm publicity agent. I motioned to
         Donaldson, “Nipper him.”
      </p>
               <p>DAVE LOOKED stupefied as he lowered his rod, reached for a set of
         bracelets. “But—but I thought—”
      </p>
               <p>“Sure,” I said. “All the signs pointed to Brock except one. When you
         had Betty Calvert's carcass brought to the morgue, you phoned the taxi
         company. Brock came and identified the Calvert jessie—and he stayed
         there in the morgue from then until the time he followed me out, tried
         to pistol-whip me.
      </p>
               <p>“Actually, that gave him an alibi. It was while he was pacing up and
         down in the morgue that this Farrand doll was kidnapped. Consequently
         Brock couldn't be the one who grabbed her. So the guilty guy had to be
         Quentin, the only other bozo who knew Miss Farrand would be driving cab
         8-BA-ll. He dreamed up this whole publicity stunt so he could snatch
         her and hold her for ransom.”
      </p>
               <p>As I spoke, I moved to the fettered quail; pulled the gag out of her
         lovely yap. She moaned: “I—I never realized it was Quentin. He wore
         that horrible hood wh-when he dragged m-me from the c-cab, and—”
      </p>
               <p>“And now his game is up,” I said.</p>
               <p>Quentin chuckled. “That's what you think, shamus.”</p>
               <p>I spun around; felt a sinking sensation in my elly-bay. The dirty
         heel had an automatic in his duke; had drawn it while Donaldson was
         fumbling for the handcuffs. Now Dave stood petrified as Quentin covered
         him. I was in the same fix. If I made a move, the press agent would
         plug me.
      </p>
               <p>He backed toward the steep stairs. “I'm leaving.”</p>
               <p>“You won't get far,” I snarled bitterly. “We'll be on your trail
         before you can belch. The dragnet will go out for you and your number
         will be up.”
      </p>
               <p>“How can you trail me when you're going to be dead?” he inquired
         sarcastically. “So- long, suckers.” He touched an electric switch in
         the wall.
      </p>
               <p>Machinery hummed, hissed. Overhead the elevator platform began slowly
         to descend. As it dropped, I realized what would happen. The damned
         thing would crush us against the bottom of the pit, convert us into
         three generous portions of unrationed hamburger. Quentin stood on the
         stairs, safely beyond the lowering cage.
      </p>
               <p>The Farrand doll screamed. Donaldson raged. “You rat! You're not
         satisfied with croaking Betty Calvert. You want three more kills on
         your conscience—”
      </p>
               <p>Even as he spoke, somebody came lurching down the steps. It was Joe
         Brock. “So you murdered Betty, eh!” he screeched. Then he maced Quentin
         across the conk with a spanner.
      </p>
               <p>Quentin tumbled headlong into the pit. At the same instant I gathered
         Gloria Farrand into my clutch, raced with her to the stairway.
         Donaldson followed with his hip pockets dipping sand. We reached safety
         just as the elevator closed the gap. The unconscious Quentin slob never
         had a chance.
      </p>
               <p>The platform squashed him.</p>
               <p>Moaning softly, the brunette cupcake fainted in my embrace. I toted
         her upward; pinned the glimpse on Brock. “Well, you got your revenge on
         the creep that cooled your sweetie.”
      </p>
               <p>“Yes,” he sniveled. “Now I suppose I'm pinched for knocking him off.
         That damned 8- Ball hack is a hoodoo.” He turned to Donaldson. “I'll go
         quiet, officer.”
      </p>
               <p>Dave brushed him aside. “Don't be a dope, you dope. You deserve a
         medal.” Which was correct, although I wasn't paying too much attention.
         I was thinking about the reward I'd collect for returning Gloria
         Farrand to her studio, safe and sound.
      </p>
            </level2>
         </level1>
      </bodymatter>
   </book>
</dtbook>