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      <meta name="dtb:uid" content=""/>
      <meta name="dc:Title" content="William Klump, Nursemaid"/>
      <meta name="Author" content="Joe Archibald"/>
      <meta name="Description"
            content="Mystery, Suspense, History, Gothic, Literature, Books, Arts"/>
   </head>
   <book>
      <frontmatter>
         <doctitle>William Klump, Nursemaid</doctitle>
      </frontmatter>
      <bodymatter>
         <level1>
            <h1>William Klump, Nursemaid</h1>
            <level2>
               <h2>Joe Archibald</h2>
               <p>This page formatted 2011 Blackmask Online.</p>
               <p>
         
         
         
         
         
         
         
         
         http://www.blackmask.com<br/>
			               <br/>
		             </p>
               <!-- **** No template for element: pre **** -->EText from pulpgen.com

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		<p>
			
<!-- **** No template for element: i **** -->Popular Detective
            , February, 1944
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               <p>
			
<!-- **** No template for element: b **** -->
				
<!-- **** No template for element: i **** -->The Hawkeye Hawkshaw plays “wooden duck” for a killer and gets a clue
               from Mother Goose!
               
			
		</p>
               <p>GERTRUDE MUDGETT read the gossip columns as regularly as bangtail
         fever patients peruse the racing forms.
      </p>
               <p>“It makes a girl sophisticated,” she told William Klump, president of
         the Hawkeye Detective Agency, one evening when they were having their
         mess in La Boheme Rouge on East Forty-sixth Street.
      </p>
               <p>“When you are with people you can converse in step with them and they
         won't take you for no dope.”
      </p>
               <p>“That reminds me, I must buy that latest issue of All Laugh Comics
         before I go home t'night,” Willie said.
      </p>
               <p>“Now right here is somethin' that is a riot in Hinchell's column,”
         Gertie pointed out. “Stop playin' Begin the Beguine with your soup and
         listen, Willie. 'During your correspondent's nightly canvas of the big
         town's best bistros, he observed a strange coincidence. Sherman
         Dillingby, boniface of El Bonanza, greeted us at the sacred portals of
         the Puce Room wearing as pretty a mouse under his right glimmer as
         you'd ever want to see.
      </p>
               <p>“ 'Sherman also had a knot on his almost hairless pate and there was
         a cut under his lower lip. He claimed the dimouts were getting serious
         and said he fell down cellar going after some grape. . . . Imagine our
         astonishment when we minced into La Maison de Boeuf and beheld the
         host, Rinaldo Lavista, wearing a pair of black cheaters and packing a
         chunk of adhesive tape on the bridge of his nose. . . .
      </p>
               <p>“ 'Last but not least, as we paid our respects to Toots Short of the
         Club 23, we noticed that Toots' ordinarily handsome pan had been
         scrambled a trifle and Toots looked like a grunt and groan performer
         after a tiff on the canvas. . . .' ”
      </p>
               <p>“"Dolls,” Willie said and sniffed. “Them big-shots are always gittin'
         sued or clawed up by one. Maybe they was all competin' for the services
         of a new warbler and had t' fight it out to sign her up. Anyways, they
         have lots of enemies, as look how many citizens they rob in those
         joints!”
      </p>
               <p>“JUST the same,” Gertie said. “It is coincidents like Hinchell says.
         Use your napkin, sloppy. You got nine points' worth of fodder on your
         chin now. What I see in you—”
      </p>
               <p>“Well, I just put five hun'red in the bank the F.B.I. give me, so—”</p>
               <p>“Oh, I'm an adventurist, am I? A golddigger!” Gertie said in piercing
         tones. “Why, you got a nerve, William Klump. I want you to understand I
         passed up a dozen men to get at you. I won't sit here an' let you
         insult me. I—”
      </p>
               <p>“Please, Madam,” a little waitress said, leaning over Gertie. She
         thought Gertie was complaining about the food. “Don't blame me as the
         manager told me to—”
      </p>
               <p>“You go tell him to peel a turnip,” Gertie yelped back and picked up
         her war-bag. “Tell him the food here is terrible.”
      </p>
               <p>“He knows it,” the doll with the apron said, and Willie laughed.
         Gertie got up and walked out of the restaurant and yelled back to
         Willie from the sidewalk. The waitress turned to Willie. “I feel sorry
         for you when you git home, Mister. How long you been married?”
      </p>
               <p>“We are just engaged,” Willie gulped.</p>
               <p>“Oh, brother!”</p>
               <p>“I was thinkin' that too, sister,” Willie said. “I am goin' to my
         draft board tomorrer and ask them to make sure I wouldn't be a good
         risk in Sicily or somewhere.”
      </p>
               <p>He got up and paid his tariff and when he came outside he gave a
         subway kiosk a wide berth, as it was a natural booby trap and Gertie
         had thrown things before.
      </p>
               <p>Willie thought a good walk would do him good and his peregrinations
         finally took him to the corner of Madison and Fifty- seventh where he
         leaned against a store front to ponder the vicissitudes of his
         profession. Willie was a private investigator like some famous
         characters of fiction and radio but there the analogy ended.
      </p>
               <p>Private slewfeet of the make-believe world had color and dash and
         aplomb and Willie was as ordinary and as colorless as the inside of a
         phone booth. These other guys were debonair and always seemed to have
         exciting cases to solve. But Willie was a crumb, sartorially, and his
         cases were as far between as Omsk and Chungking.
      </p>
               <p>“I ought to git myself known as The Lone Hawk or the Scarlet
         Pumpernickel or somethin',” Willie said.
      </p>
               <p>There was a prowl car at the curb but Willie was unaware of the fact.
         Two of New York's finest lolled on the front seat until the radio
         started fanning their ears. It was a stuffy night and sounds carried.
         Whatever was said of Willie, no one ever accused him of having small
         ears.
      </p>
               <p>“Car Forty-two—proceed to Two-eightsix East Thirty-sixth Street at
         once—man found dead in Apartment G-Eight—looks like murder. . . .”
      </p>
               <p>“Huh?” Willie yelped. “Who said that?” He saw the car leap away from
         the curb, got a glimpse of the letters “P.D.” on the side. “Oh, cops!
         This Radar will win the war and close up criminals, too,” he said and
         started yelling for a cab.
      </p>
               <p>Willie Klump got to the scene and barged into the lobby of a small
         pueblo.
      </p>
               <p>“Hol' on, Junior.” Three cops gathered him in. “Where you think
         you're goin'? If you forgot your yo-yo, you wait until later. You
         what?”
      </p>
               <p>“He is my boss,” Willie said. “I got called as quick as they found
         him. I—”
      </p>
               <p>“Oh, yeah? Come on upstairs, sweetheart, as' maybe you was on your
         way out and not in. Hid behind a potted palm or somethin'.”
      </p>
               <p>“This is an outrage!” Willie protested. “I am innocent.”</p>
               <p>“We got a suspect,” a cop said when they shoved Willie into a small
         apartment and into the arms of a detective from Headquarters named
         Aloysius Kelly, more commonly addressed as “Satchelfoot.”
      </p>
               <p>“FAST work, men,” Kelly said. “Awright, start talkin'—er—YOU!
         Willie Klump, how come they picked you up? Oh, the dopes! Look, stupes,
         this character calls himself a private detective and how he ever got
         wise we had a murder. . . Willie, go over in that corner and sit down
         and shut your trap! Where was we? Oh, yeah—well, what was he slugged
         with, Doc?”
      </p>
               <p>“This little bronze statuette of Venus de Milo,” the medical examiner
         told Satchelfoot.
      </p>
               <p>“That is what a dame can do to you,” Willie quipped and even the
         corpse appraiser had to laugh.
      </p>
               <p>Kelly summoned all his will-power and then asked who the victim was.</p>
               <p>“Name's Cockrell Robbins,” the morgue M.D. said.</p>
               <p>“There was an argument over somethin',” Kelly diagnosed.</p>
               <p>“In the next room, Kelly,” a cop said. “A card table set up and the
         remains of a meal. They was big-shots, I bet, as they was eatin' meat.
         Pork chops, no less. That is the trouble with this country.
         Discrimination, as some people can eat meat an' some—”
      </p>
               <p>“Shut up,” Kelly snapped. “This is a murder investigation, not a
         forum of the airways. Let's look if they left any meat—I mean maybe we
         can git a clue—”
      </p>
               <p>“With you them things are sure rationed, too,” Willie could not help
         but observe.
      </p>
               <p>“The murderer et with his victim,” Satchelfoot said, looking over the
         remains of the deceased's last supper. “That is awful cold-blooded. The
         culprit used gloves when he picked up the stature, maybe, but take a
         shot at prints on it anyways, boys. Dust everythin', except Klump
         there.”
      </p>
               <p>“The corpse was once a home body,” a cop said. “He cooked his own
         chow here. Funny thing about all the bottles in the kitchen though.
         They look like bottles I been familiar with at times only they got no
         labels or remains of seals on them.”
      </p>
               <p>“Somebody grab that elevator operator an' bring him in here,” Kelly
         said. “Yeah, must be about three dozen bottles here. Washed clean as
         anythin' an' who bothers to clean labels off hooch bottles unless—I
         smell somethin', guys!”
      </p>
               <p>“Maybe he was a vodville actor,” Willie called out. “Every bottle has
         a different sound when you hit it with a stick. Call up Broadway
         Brevities and ask was Robbins a Thespian, Satchelfoot.”
      </p>
               <p>“What his religion was will not help to you cluck. And shut up and
         keep your nose out of this, Willie.”
      </p>
               <p>They brought in a palpitating Senegambian and the little colored
         character was getting almost white around the gills. Satchelfoot said
         he would grill him and Willie asked him how he would know when the
         citizen was well browned. The detective counted to ten and then started
         cross- examining.
      </p>
               <p>“This Robbins here, who was,” Kelly said. “Was he a boozer, Sam?”</p>
               <p>“Huh? I ain't Sam. Mah' name is Beauregard. Mistuh Robbins, he never
         drunk not a drop of likker, boss. But doggone, he toted a lot of it
         home the las' coupla weeks, he sho' did. Yo' can tell likker bottles
         wrapped up even if you don' see 'em. Once he dropped a package an' bruk
         a bottle an' brothah, that elevator smelled scrumpious fo' a whole
         week.”
      </p>
               <p>“Who et with him t'night?” Kelly asked.</p>
               <p>“Huh? Ah don' know. Mah relief was workin' then an' he's almos'
         seventy an' has got cataracks on bofe eyes, boss. Mos' able- bodied
         elevator mens are in the Ahmy. He's so't of janitor relief man an'
         sleeps down by the coal bin. Ah'll git him if yo' want.”
      </p>
               <p>“Get him,” Kelly said, then snapped something up from a chair. From
         where he sat, Willie thought it was a business card. Satchelfoot
         grinned like a hyena knee-deep in carrion. “Got somethin' here. Yeah,
         Michael O'Toole Fogarty, Breezy Beverages, Inc. This little business
         card could easy pass Fogarty into the sizzle salon. Fogarty! I bet the
         old-timers downtown will remember that name.”
      </p>
               <p>WILLIE, noticing that Kelly was in a nice mood, began to saunter
         around the apartment at will. He pointed to the card table.
      </p>
               <p>“One napkin is used and one is still folded up nice, Satchelfoot. It
         means one of the diners was a very sloppy character. See if there is
         stains on the stiff's vest and if his fingers smell of pork chops. Even
         the knife at the place where the napkin was not used is as clean as a
         hound's tooth. Never mind, I can look for myself.”
      </p>
               <p>“You keep away from that corpse!” the medical examiner yelled. “I'll
         attend to that.”
      </p>
               <p>The elevator boy came in leading another one that looked as old as
         Uncle Tom and just had a beating by Simon Legree. Satchelfoot asked the
         old boy who went down in the elevator last—from the floor where
         Robbins' apartment was.
      </p>
               <p>“Mah eyes ain't so good, boss,” he said. “But he was a powerful big
         man. One thing I knew he wore a green shirt. Ah kin see green as plain
         as when I was ten years old, yassuh! He smelled like he been rollin'
         aroun' in a saloon, boss.”
      </p>
               <p>“No stains on Robbins clothes,” the medical examiner said. “Hands not
         a bit greasy.”
      </p>
               <p>“No kiddin',” Satchelfoot yelped. “I'm the detective here, remember?
         Willie, you stop orderin' the Doc around . . . Fogarty! Fogarty. The
         name is—”
      </p>
               <p>“First the deceased looks familiar,” Willie mumbled, “now a name
         sounds familiar. You will not git nowhere in a guessin' game.” He
         looked at a calendar on the wall and then at Kelly. “Very odd,” he told
         himself, shaking his head.
      </p>
               <p>“Fogarty would wear a green shirt,” Satchelfoot said. “So he was here
         and did not drop no callin' cards some other day. Guys, he'd better
         have an alibi when we pick him up. He—”
      </p>
               <p>“Got it, Kelly!” one of the cops said. “He's got his name in the
         guest book downtown. Mike Fogarty was one of the bigges' bootleggers in
         the ol' days. Now he owns a soft drink outfit an' puts out a slop
         called Spep. It looks like maybe on account of the way liquor is
         gittin' scarce an' high in price, an' how it is rationed in some
         states, an old racket is comin' back, Kelly!”
      </p>
               <p>“I was thinkin' the same thing,” Satchelfoot Kelly said.</p>
               <p>“Nuts,” Willie cut in. “When will you stop usin' brains by proxy?”</p>
               <p>“One more crack out of you, Willie, and I'll pin your lower lip up.”</p>
               <p>“You try it an' you'll never grit nothin' but your gums from now on,
         Mr. Kelly,” Willie said. “I am only trying to help. Now I won't offer
         no suggestions at all. You are on your own and if that does not boost
         morale in the underworld, then I—”
      </p>
               <p>But Satchelfoot had had enough and he ordered the two cops to evict
         Willie from the murder scene. When Willie got outside he ran to the
         nearest drug store and thumbed a telephone directory. He found out that
         Michael Fogarty lived up in Washington Heights and immediately went up
         there fast.
      </p>
               <p>An hour later, Willie was slumped down in a chair behind a potted
         palm ten feet from the entrance to the big apartment house, and
         Satchelfoot Kelly and three of his satellites were escorting a very big
         and irate citizen out of an elevator.
      </p>
               <p>“I tell ya I didn' knock him off. I just went t' see N—Cocky—on
         business, you dumb bulls!” Fogarty yelped. “Somebody musta come in
         after and—”
      </p>
               <p>Willie got a good look at the ex-bootleg czar. Fogarty was still
         wearing a green shirt and by the wrinkles in his trousers, Willie
         guessed the big character had not changed his ensemble since meeting
         Robbins. But his light gray suit was clean and immaculate.
      </p>
               <p>Michael Fogarty was past middle age but he could go three rounds with
         Joe Louis if he had to and not come out looking too bad. He had a chin
         as big as a twenty-cent piece of ice and a pair of hands that bulged
         with muscles.
      </p>
               <p>“AWRIGHT,” Kelly yelped as his men convoyed Fogarty to the police
         car. “You admit you was there. You was a bad boy oncet, so we got to go
         over you with the works, Mike. The D.A. will think it ol' times talkin'
         things over with you.”
      </p>
               <p>“You got nothin' on me,” Fogarty trumpeted just as the boiler left
         the curb.
      </p>
               <p>“Strange,” Willie said. “I think he is innocent of murder, but not of
         anythin' else, I bet . . . I'm tryin' to think of somethin', an' all
         that comes to my dome is Gertie. I wonder why? I better go on home an'
         try to figger what is cookin'.”
      </p>
               <p>In his room on East Forty-sixth Street, Willie took an old notebook
         out of his dresser drawer. On it was printed: Case Book of Detective
         William Klump. To be Turned Over to Police Headquarters and Prosperity
         in Case of My Decease.
      </p>
               <p>“Number 1,” Willie scribbled. “Empty bottles in Robbins' flat without
         no labels or seals on them an' the corpse never drunk a drop. Fogarty
         who et with the deceased or so the cops think was an ex-bootlegger who
         now makes soft stuff called Spep. What would he be doin' talkin' with
         Robbins? What is the motive?
      </p>
               <p>“Number 2. Did Fogarty make a slip of the tongue when he said
         N—before he said Cocky? Why do I think of Gertie every time I think of
         bootleggers? I wonder sometimes if Satchelfoot even knows what day it
         is. Fogarty is not a sloppy character, but almost a dude. Nothin' adds
         up yet.”
      </p>
               <p>Willie Klump awoke the next morning, dressed very fast, and went over
         to Lexington where he breakfasted on crullers and coffee. While
         dunking, he read his favorite morning journal and there on the front
         page, despite the war, was the news that Michael Fogarty had been
         booked for the rub-out of one Nicky Pantelleria alias Cockrell Robbins.
      </p>
               <p>The gendarmes downtown had matched the prints of the corpse with
         those of old bootleggers and had tagged Cocky as Nicky Pantelleria who
         once was the terror of the Loop in Chi and had beaten four murder raps
         before the Volstead Act went the way of the bustle and the crystal
         radio set.
      </p>
               <p>“Oh, cripes,” Willie gulped out. “Has Satchelfoot hit a jackpot?”</p>
               <p>It looked very much as if he had. The police had grilled Michael
         Fogarty to a nice turn and had descended upon his soft drink bottling
         works on the banks of the Harlem River. They found that Fogarty was
         distilling very inferior brands of Scotch and Rye and putting them in
         bottles like the real McCoy.
      </p>
               <p>The cops picked up a big wooden box full of labels of every
         well-known brand of giggle water on the market. It looked as if the
         harmless appearing Spep trucks would be used to transport the alleged
         stimulant to the various oases where Fogarty made deals.
      </p>
               <p>“ 'And so the old bootleg liquor racket rearing its ugly head in
         Gotham,' ” Willie read aloud, “ 'has been nipped in the bud by a master
         stroke on the part of New York's Detective Bureau.
      </p>
               <p>“ 'The arrest of Michael O'Toole Fogarty, once the overlord of the
         bootleggers in Manhattan, for the murder of Nick Pantelleria alias
         Cockrell Robbins, has prevented a wave of crime that would have been a
         dainty morsel for enemy propaganda agents and might have been
         detrimental to the war effort. Fogarty maintains that he is innocent of
         murder'.”
      </p>
               <p>“Huh,” Willie said. “Two of the biggest old-time gangsters grabbed by
         Satchelfoot in one night. Now I have heard everythin'. What a racket
         they would have set up! The hookers in the swell night-spots would have
         been thinner than ever an' big night-club bosses like Sherman Dillingby
         an' Toots Short would make even more profit an' . . . I wish I could
         remember somethin'!
      </p>
               <p>“Well, I will go to the office as there is nothin' for me in this
         case. I guess Satchelfoot has to do somethin' right once; if you throw
         rings at a runnin' rhinocerous long enough, you will catch one on his
         horn. But the more I think of it, the more I wonder—huh, there I go
         ag'in, thinkin' of Gertie Mudgett. If she looked like Veronica Lake now
         instead of how she does look, I wouldn't wonder, but. . .”
      </p>
               <p>WILLIE walked into his cubby-hole of an office twenty minutes later
         and the phone was ringing its hooks off.
      </p>
               <p>“Hello,” Willie said, lifting the squawking public utility gadget out
         of its cradle.
      </p>
               <p>It was Gertie.</p>
               <p>“Now you know why Dillingby and Lavista and Short looked like they
         had fought in the golden gloves, when Hinchell called, huh?” she yelled
         in his ear.
      </p>
               <p>“No. Look, Gert, I have a crime on my mind and have no time for such
         silly foolderols. Call me up when—”
      </p>
               <p>“You dumb crumb!” Gertie retorted. “Fogarty is locked up for murder,
         ain't he? He was sellin' hooch to the nightclubs. In the old days, they
         went around and beat up guys who wouldn't do business. So this Fogarty
         who is ol'-fashioned, went an' slugged Dillingby an'—”
      </p>
               <p>“Huh?” Willie gulped. Something snapped apart inside his cranium.
         “Why, Gertie, you got somethin'! But maybe you are gaga, as why didn't
         those three big-shot night-club runners tell the cops after Fogarty was
         locked up, then?”
      </p>
               <p>“Er, that is funny, ain't it, Willie?”</p>
               <p>“Yeah,” Willie said. “Unlest they are still scairt because a gorilla
         or two is still at large and will take up where Fogarty and the
         deceased left off. Cockrell Robbins bought liquor so's he could get the
         labels an' seals off the bottles to counterfeit them, as he never drunk
         no snake oil himself. Yeah, I bet there is a gorilla still loose. But
         how to find him, huh?”
      </p>
               <p>“We should tell Satchelfoot, Willie.”</p>
               <p>“Look, he has used everybody's brains but our'n, Gertie,” Willie
         protested. “Nothin' doin'. Anyway, he wouldn't believe us.”
      </p>
               <p>“You ain't kiddin',” Gertie sniffed. “Who would blame him? G'by,
         Willie.”
      </p>
               <p>William Klump, brain in a whirl, went downtown at noontime and walked
         into a certain restaurant often patronized by slewfeet like Satchelfoot
         Kelly. Willie's pet aversion was already hanging on the feedbag and
         talking to a contemporary.
      </p>
               <p>“That big gorilla had his gall knockin' off Robbins and then walkin'
         right out to an elevator,” Kelly's companion said.
      </p>
               <p>“Yeah. Gall? Ha-a-a-a-a-ah!” Satchelfoot laughed while Willie's ears
         twitched. “We take him some chow las' night an' he tosses the
         oleomargerine at us, an' asts could he have some apple butter. Yeah,
         you would think he had lots of gall, Eddie. But what do you think he
         says? He had his gall bladder out two years ago an' can't eat no
         grease. We'll make him confess inside of twenty- four hours.”
      </p>
               <p>Willie took a seat in the booth behind Satchelfoot.</p>
               <p>“One thing kind of worries me, Kelly,” Eddie said, lowering his
         voice. “You said there was a set of prints showed up besides those of
         the victim. On a glass.”
      </p>
               <p>“So what?” Satchelfoot growled. “The defunct citizen was not in a
         cloister, so had visitors at times, ones who wasn't crooked or had no
         reason to conk him with a stature. Why, we got two sets of prints that
         was not on record over in the gallery. But we got Fogarty. He had a
         motive, bein' in the racket with Cocky Robbins. They fell out about who
         should git the bigges' cut, see? He ain't got a leg to stand on,
         Eddie.”
      </p>
               <p>Willie ate crackers and milk and waited until it was safe to leave
         the beanery.
      </p>
               <p>Well, Kelly might be on the right track, but the flatfoot, he mused,
         never figured on hitting a switch. At the moment, Willie was sure that
         Fogarty had never assassinated any Cocky Robbins, alias Nick
         Pantelleria.
      </p>
               <p>CROSSING the street, a gust of wind hit him a hunch that sent him
         scurrying for the subway. He went uptown and crashed the El Bonanza,
         was shown the way to the Dillingby office after he flashed his badge,
         but fast.
      </p>
               <p>“You're nuts,” the night-club biggie howled, mopping his pan with a
         silk hanky. “He wa'n't intimidatin' me, Klump. I never saw Fogarty in
         my life an' nobody's goin' to drag me into that mess, as if the public
         thought I'd bought bootleg—git out of here!”
      </p>
               <p>“But look, Mr. Dillingby, you are' helpin' crime in time of war by
         pertectin'—”
      </p>
               <p>Dillingby threw a waste basket at Willie and he fled for his life.
         Some of the papers spilled over him and he fished one out of his neck.
         It was a bill to El Bonanza from the De Luxe Fish and Meat Sauce Co.,
         Inc., Theodore J. Aspara, Pres.
      </p>
               <p>He crumpled it up and tossed it away, knew Dillingby had been lying
         worse than a Goebbel's flunkey. He was very sure there was a character
         left who was still putting the heat on citizens like Dillingby and
         Toots Short and the others.
      </p>
               <p>“But how will I ever find him or convince the cops there is, as they
         are sure Fogarty was the whole works. Oh, I better fergit it as it is
         the D.A.'s hard luck if he sautes an innocent crook by accident. Ugh!”
      </p>
               <p>Ten minutes after Willie arrived at the Hawkeye Detective Agency, his
         phone rang. He picked it up fast, as he never knew when the utilities
         would cut the wires.
      </p>
               <p>“Hawkeye Detective Agency,” Willie answered. “Our operatives from
         Coast to Coast. The president speaking.”
      </p>
               <p>“This is Mrs. Elmo Flick, Mr. Klump. I live at Twenty-four Sixty
         Marion Avenue, the Bronx, and wish to hire you for the evening. How
         much do you charge?”
      </p>
               <p>“To do what Mrs. Flick? If it is dangerous work, I would charge
         more,” Willie said.
      </p>
               <p>“It is both—guarding valuables and my son Ronald,” Mrs. Flick said.
         “It is impossible to get maids now, Mr. Klump. I can pay you
         twenty-five dollars for the evening.”
      </p>
               <p>“What time shall I be there?” Willie asked. “Twenty-five is
         twenty—what time? Seven, huh? All my operators are busy but as Gertie
         works tonight, I have no place to go. G'by.”
      </p>
               <p>Willie arrived on time and Mrs. Flick gave him his instructions.</p>
               <p>“There is Roland, Mr. Klump. There is a five-hundred-dollar diamond
         wristwatch upstairs, but most of all I want you to listen for sounds in
         the kitchen as there is a roast beef in the ice-box there worth
         sixty-seven points.”
      </p>
               <p>“I don't blame you,” Willie grinned. “How's my li'l man, huh?”</p>
               <p>“Nerts,” Roland said. “If you are a deteckative, then I will start
         readin' about cowboys from now on. You ain't even got a cigar or flat
         feet.”
      </p>
               <p>“He's so cute,” Mrs. Flick said as she departed. “I expect to be back
         at midnight.”
      </p>
               <p>After five minutes with Roland, Willie believed in gremlins. Roland
         tried to throw his watch out the window, climbed on him as if he was a
         stepladder and pulled one of his ears until it drooped like a poodle's.
      </p>
               <p>“Don't you never go to sleep?” Willie yipped.</p>
               <p>“Tell me a story, Mr. Klump. 'Bout Li'l Red Ridin' Hood.”</p>
               <p>“AWRIGHT. Oncet there was a little dame named Red Ridin' Hood and she
         was takin' lunch to her grandma who lived in the woods because she made
         the best mousetraps. A wolf—”
      </p>
               <p>“Like Pa?” Roland cut in.</p>
               <p>“Er—no,” Willie sniffed. “A real wolf. It run on ahead an' forgot it
         was meatless Tuesday an' gobbled up the old doll, then put on her
         kimoner and nightcap and climbed into bed. Red Ridin' Hood came in an'
         said, 'You sure got big eyes, gran'ma.' And the wolf said, 'How are
         you, babe? Er—the better to get a gander at you with, Toots. What's in
         the feedbag for t'night?'
      </p>
               <p>“Red R. H. said, 'You sure got big teeth, gran'ma,' an hands the wolf
         a caramel. The wolf gits its false teeth stuck in it an' Red Ridin'
         Hood, who has met wolves before, picks up an axe and bops the wolf and
         then reports the killin' to the O.P.A., as you can't kill animals—”
      </p>
               <p>“Never mind the corn,” Roland said to Willie. “Read me outa this book
         an' no adlibbin'. You are gittin' paid for takin' care of me.”
      </p>
               <p>Willie wished the East River was handy. He was sure Mrs. Flick would
         not prosecute him too far if he heaved in the little twerp. He opened
         the book and began:
      </p>
               <p>“ 'Who killed Cock Robin? I, said the sparrer, with my bow an'
         arrer.' Why—er-” Willie Klump snapped the book shut and pushed Roland
         off his lap. The Flick sprout set up a squall that must have been heard
         in Hoboken.
      </p>
               <p>Willie picked up his hat and headed for the door.</p>
               <p>“You come back here,” Roland yelped. “It is only ten o'clock an' Ma
         said—”
      </p>
               <p>“Go play with a black widow,” Willie said.</p>
               <p>On his way out the door, Roland threw a toy tank at him and did not
         miss. It jolted his memory and almost fractured his skull and the
         president of the Hawkeye Detective Agency did not remember a thing
         until he got into the street.
      </p>
               <p>“Well, one thing leads to another in the detectin' business,” Willie
         said. “Roland has the makin's of a firs'-class thug. But maybe he has
         helped me put the finger on an assassin. Who did kill Cockrell Robbins,
         huh? Could be, Roland.”
      </p>
               <p>At nine the next A.M., he hounded the second-hand stores on both the
         East and the West Sides and by two P.M. he found what he was looking
         for. At two-thirty, Willie was at the De Luxe Fish and Meat Sauce Co.,
         Inc., asking to see the boss.
      </p>
               <p>“I got somethin' that'll interest him,” Willie said.</p>
               <p>The girl at the switchboard sent him into Theodore Aspara's office.
         Willie unwrapped a package and displayed a little bronze statue of
         Venus de Milo.
      </p>
               <p>“A bargain at six bucks,” Willie said. “Sold a couple already. They
         was part of art treasures from—”
      </p>
               <p>Theodore Aspara stared at Willie and the ashes of his cigar sprayed
         his vest. Willie could not remember a more slovenly-looking character.
         Suddenly the citizen let out a snarl and drove Willie out of the
         building.
      </p>
               <p>“I'll fire that dame for lettin' punk peddlers into my office!” he
         howled.
      </p>
               <p>Willie walked back into the building and cautiously approached the
         girl's desk. The brunette snarled at him, too.
      </p>
               <p>“Beat it, jerk. I almos' got fired.”</p>
               <p>“I lef' the stature up there,” Willie said. “I don't dare to go after
         it. Here is my address and fifty cents for postage. Ship it to me,
         huh?”
      </p>
               <p>“When we get around to it. Now get out of here before I call a cop!”</p>
               <p>WILLIAM KLUMP, having delved into the study of psychology,
         unbeknownst to himself, skipped uptown and called Headquarters. He
         asked for Satchelfoot Kelly.
      </p>
               <p>“Look,” Willie said. “This is important, Kelly, so don't hang up. If
         you want to grab the murderer of Cockrell Robbins, alias whoever it
         was, come up to my office, as I think I'm a decoy.”
      </p>
               <p>“If you mean a wooden duck, you are right, Willie,” Satchelfoot
         sneered. “Listen blockhead, I—”
      </p>
               <p>“Michael Fogarty did not kill nobody,” Willie said. “You better come
         up here, Kelly.”
      </p>
               <p>“Awright, but I'm a sucker.”</p>
               <p>“You are still flatterin' yourself,” Willie said. “I'll wait here,
         Satchelfoot.”
      </p>
               <p>An hour later, Willie was talking to Kelly.</p>
               <p>“I have an idea I've scairt a guilty party,” he was saying. “You
         better stick close to where I live t'night, as maybe I will have
         visitors. I am in grave danger of my life, Satchelfoot. Look, here is
         what you better do.
      </p>
               <p>“The room next to mine is vacant, as the landlady kicked a doll out
         for cookin' cabbage in her room this A.M. You go an' rent the room.'
         Then, when somebody visits me, you will be close by with a Betsy.”
      </p>
               <p>“Willie, you would hire a weasel to protect a prize leghorn. With
         somebody murderin' you next to me, I could sit and read a book all
         through the crime. You ought to know better.”
      </p>
               <p>“No kiddin',” Willie said. “You don't want to be an excessory to
         roastin' a perfectly innocent taxpayer, Satchelfoot. With all the dough
         the government needs, too.”
      </p>
               <p>“Okay, I'll go along with the gag,” Kelly said.</p>
               <p>“It might happen tonight or the next night, all dependin' on how
         strong the killer's conscience is, Satchelfoot.”
      </p>
               <p>“I'm goin' to rent the room now before I change my mind,” the
         detective said. “Before you make it sound even sillier.”
      </p>
               <p>* * * * *</p>
               <p>The president of the Hawkeye Detective Agency meandered to his
         boarding house around seven o'clock that evening. He knocked on the
         door next to his room and Kelly said:
      </p>
               <p>“That you, Willie? Or the murderer? Whoever it is, have you got a can
         of flit as somethin' just hopped out of the mattress at me.”
      </p>
               <p>“Lay low, Satchelfoot,” Willie said and went into his own room.</p>
               <p>He read a stack of old comic books, turned on the radio and got his
         favorite crime drama and was wrapped up in the mullarkey when a knock
         sounded on his door. He got up and opened it. Standing there was
         Theodore Aspara of the De Luxe Fish and Meat Sauce Co., Inc.
      </p>
               <p>“Hello, Mr. Klump,” Theodore said in a soft voice. “I got t' talk to
         you.”
      </p>
               <p>“You bring my stature?” Willie asked. “Oh, you shouldn't of bothered
         goin' out of your way, as—”
      </p>
               <p>“Cut the stallin', Klump. What was the idea tryin' to sell me a
         statue of Venus de Milo, huh? I looked you up an' you are a private
         detective.” Aspara glowered. “Awright, punk, what do you know? Talk
         fas', baby, as I got a cannon.”
      </p>
               <p>“Well, you ast me right out,” Willie said. “Why beat around the
         mulberry bush, Aspara? I noticed how your eyes bulged when I showed you
         the staturette. Nobody should use the Goddess of Love to fracture a
         citizen's skull with, pal. It looked like you an' Cocky Robbins was on
         the outs for some reason and I bet it is because somethin' slipped up
         in that bootleg racket.
      </p>
               <p>“Stop me if I am wrong, but after Fogarty left Robbins' flat, you
         come in through the back way, huh? You maybe deliver the black market
         bug-juice to El Bonanza an' the other bistros in your sauce wagon.
         Anyway, you forgot to wipe one fingerprint off the thing you hit
         Robbins with. You should use a napkin when you eat, Aspara, as greasy
         fingers make swell—”
      </p>
               <p>“I GET it. You know, huh? Want to make a deal, Klump? I need a guy.
         See, Fogarty was gettin' the spot Robbins—er, Nick—promised me. A
         partnership. I was gettin' left holdin' the short end, so I went an'
         fixed that punk's wagon. I figured I'd make a deal with Mike Fogarty
         after but who thought he'd git tagged for the rub-out. So, what's your
         terms, Klump?”
      </p>
               <p>“Why, I never was so insulted,” Willie yipped. “I am all out against
         criminals. Why, you fiend, you'd let Mike Fogarty get cooked an' you
         knowin' all the time—”
      </p>
               <p>“I see,” the visitor said and sighed. “Well, what is one more killin'
         more or less, huh?”
      </p>
               <p>He drew his Roscoe and Willie yelled his head off.</p>
               <p>“Kelly, you flathead! Ha-a-a-lp!”</p>
               <p>He ducked under the first slug and got his arms around Aspara's legs.
         Aspara wiggled loose like a slippery Duke halfback and took aim again.
         A bullet whistled past Willie's right ear and chugged into a mirror.
      </p>
               <p>“Satchelfoot, you dirty—”</p>
               <p>Willie stopped the next thirty-eight caliber pellet, went over
         backward and collapsed in the corner under the washstand.
      </p>
               <p>“It is the end,” he moaned.</p>
               <p>Then muffled sounds, some heavy breathing and some prime cussing
         penetrated his consciousness. There was a loud plopping sound, and
         somebody yelled all the way from China:
      </p>
               <p>“Willie! Talk to me, Willie!”</p>
               <p>Somebody helped him to a sitting position and his eyes cleared as he
         recognized Satchelfoot Kelly.
      </p>
               <p>“So long, Kelly,” Willie said. “Right in the old ticker, yeah. Tell
         the law I fought to the last man, which was me. Where was you? Did you
         stop for a drink?”
      </p>
               <p>“You got it in the ticker, awright,” Satchelfoot said and held a big
         silver watch in front of Willie's eyes. “This turnip would stop one of
         Eisenhower's anti-tank guns. The slug didn't even git through the
         machinery in it. No wonder you are round-shouldered. 1 got here soon as
         I could as I had to bust the door down as the crook locked the door
         behind him. . . You can git in the worst messes!”
      </p>
               <p>“Ha,” Willie said. “That watch has stopped for the first time since
         Bull Run. You heard him confess, huh?”
      </p>
               <p>“I sure did, Willie. I don't know how you ever got wise to that guy
         as I never even saw him before.”
      </p>
               <p>“There is always a first time for somebody to go crooked,” Willie
         grinned and rubbed his stubble. “How I really did it, the D.A. won't
         believe, Kelly. I knew all along though, that Fogarty didn't kill
         Robbins. You should have known it, too, and I am amazed you could be so
         dumb even. Well, we better git this crook down to the klink and raid
         the De Luxe Fish and Meat Sauce Co., Inc.”
      </p>
               <p>Theodore Aspara, once confronted by the D.A. and reminded by Willie
         that three night-club owners would talk plenty now there was no danger
         of getting liquidated, let loose with the entire works. Mike Fogarty
         had beaten up the three swindle salon owners in his quaint
         old-fashioned way, and had wormed his way in as partner to the top
         crook, Cockrell Robbins.
      </p>
               <p>“I was playin' third fiddle an' was promised a fifty-fifty break with
         Robbins. Why, they was even tryin' to muscle me out of that sweet new
         racket. Yeah, 1 took over after the rub-out and was getting ready to
         put in my own distillery. I wish I knew how this funny-lookin' goon
         tripped me.”
      </p>
               <p>They all turned to Willie.</p>
               <p>Willie said:</p>
               <p>“Who killed Cock Robin?”</p>
               <p>“A sparrer,” a cop said, and the crook's eyes popped out and his
         mouth snapped open like a fish stranded upon the beach.
      </p>
               <p>“Why, you mean—”</p>
               <p>THE D.A. and Satchelfoot Kelly exchanged sorrowful glances. “Funny,
         huh?” Willie said. “Aspara killed Cocky Robbins alias Nick Pantelleria.
         I was readin' a nursery soap opera an' all at oncet I remembered a bill
         for meat sauce that was stickin' out of my neck, but who would believe
         it? Kelly, how could you arrest Mike Fogarty?”
      </p>
               <p>“Why the evidence—”</p>
               <p>“Nerts. You saw the assassin had been eatin' pork chops and I said I
         bet he was the one that didn't use a napkin as the corpse looked so
         neat, huh? And right in' jail you heard Fogarty complain about the
         mess, as nobody without no gall bladder can eat grease. But that is not
         what makes you so dumb, Satchelfoot. What day was the murder committed
         on?”
      </p>
               <p>“Las' Friday,” Kelly said.</p>
               <p>“Sure,” said William Klump. “A citizen like Mike Fogarty eatin' pork
         chops on Friday. An' the thirteenth of the month at that. You ought to
         pick up a fresh set of brains as they are very low in point value. It
         is hard to believe how I done it, ain't it?” Willie addressed the D.A.
      </p>
               <p>“We don't dare put it in print, Klump,” the D.A. said. “The
         department would get laughed at so we must make it look like very
         clever detective work, which will let you out of the picture. But we'll
         see that you get paid for your trouble.”
      </p>
               <p>“All I want is to know justice prevails,” Willie said. “But I will
         put it down in my case book the way it really was. Send a check to my
         office, huh? Well, good evenin'.”
      </p>
               <p>“I still don't git it,” Aspara said and pawed at his pan with two big
         hands.
      </p>
               <p>“You will, though,” the D.A. snapped. “And you know what!”</p>
               <p>“I must go home now, Chief,” Satchelfoot Kelly said deep down in his
         larynx. “I feel funny, like only one other time, after I saw my firs'
         seance. I hope I'll be all right in the mornin'.”
      </p>
               <p>“That's what you call really killin' time,” said Willie Klump on his
         way uptown. He chuckled as he looked at the defunct nineteenth century
         ticker. “I must git it fixed.”
      </p>
            </level2>
         </level1>
      </bodymatter>
   </book>
</dtbook>