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SIR HUGH OCKRAM smiled as he sat by the open window of his study, in the late August afternoon. A curiously yellow cloud obscured the low sun, and the clear summer light turned lurid, as if it had been suddenly poisoned and polluted by the foul vapours of a plague. Sir Hugh's face seemed, at best, to be made of fine parchment drawn skin-tight over a wooden mask, in which two sunken eyes peered from far within. The eyes peered from under wrinkled lids, alive and watchful like toads in their holes, side by side and exactly alike. But as the light changed, a little yellow glare flashed in each. He smiled, stretching pale lips across discoloured teeth in an expression of profound self-satisfaction, blended with the most unforgiving hatred and contempt for the human doll.
Nurse Macdonald, who was a hundred years old, said that when Sir Hugh smiled he saw the faces of two women in hell--two dead women he had betrayed. The smile widened.
The hideous disease of which Sir Hugh was dying had touched his brain. His son stood beside him, tall, white and delicate as an angel in a primitive picture. And though there was deep distress in his violet eyes as he looked at his father's face, he felt the shadow of that sickening smile stealing across his own lips, parting and drawing them against his will. It was like a bad dream, for he tried not to smile and smiled the more.
Beside him--strangely like him in her wan, angelic beauty, with the same shadowy golden hair, the same sad violet eyes, the same luminously pale face--Evelyn Warburton rested one hand upon his arm. As she looked into her uncle's eyes, she could not turn her own away and she too knew that the deathly smile was hovering on her own red lips, drawing them tightly across her little teeth, while two bright tears ran down her cheeks to her mouth, and dropped from the upper to the lower lip .The smile was like the shadow of death and the seal of damnation upon her pure, young face.
"Of course," said Sir Hugh very slowly, still looking out at the trees, "if you have made your mind up to be married, I cannot hinder you, and I don't suppose you attach the smallest importance to my consent--"
"Father!" exclaimed Gabriel reproachfully.
"No. I do not deceive myself," continued the old man, smiling terribly. "You will marry when I am dead, though there is a very good reason why you had better not--why you had better not," he repeated very emphatically, and he slowly turned his toad eyes upon the lovers.
"What reason?" asked Evelyn in a frightened voice.
"Never mind the reason, my dear. You will marry just as if it did not exist." There was a long pause. "Two gone," he said, his voice lowering strangely, "and two more will be four all together forever and ever, burning, burning, burning bright."
At the last words his head sank slowly back, and the little glare of his toad eyes disappeared under the swollen lids. Sir Hugh had fallen asleep, as he often did in his illness, even while speaking.
Gabriel Ockram drew Evelyn away, and from the study they went out into the dim hall. Softly closing the door behind them, each audibly drew a breath, as though some sudden danger had been passed. As they laid their hands each in the other's, their strangely-like eyes met in a long look in which love and perfect understanding were darkened by the secret terror of an unknown thing. Their pale faces reflected each other's fear.
"It is his secret," said Evelyn at last. "He will never tell us what it is."
"If he dies with it," answered Gabriel, "let it be on his own head!"
"On his head!" echoed the dim hall. It was a strange echo. Some were frightened by it, for they said that if it were a real echo it should repeat everything and not give back a phrase here and there--now speaking, now silent. Nurse Macdonald said that the great hall would never echo a prayer when an Ockram was to die, though it would give back curses ten for one.
"On his head!" it repeated quite softly, and Evelyn started and looked round.
"It is only the echo," said Gabriel, leading her away.
They went out into the late afternoon light, and sat upon a stone seat behind the chapel, which had been built across the end of the east wing. It was very still. Not a breath stirred, and there was no sound near them. Only far off in the park a song-bird was whistling the high prelude to the evening chorus.
"It is very lonely here," said Evelyn, taking Gabriel's hand nervously and speaking as if she dreaded to disturb the silence. "If it were dark, I should be afraid."
"Of what? Of me?" Gabriel's sad eyes turned to her.
"Oh no! Never of you! But of the old Ockrams. They say they are just under our feet here in the north vault outside the chapel, all in their shrouds, with no coffins, as they used to bury them."
"As they always will. As they will bury my father, and me. They say an Ockram will not lie in a coffin."
"But it cannot be true. These are fairy tales, ghost stories!" Evelyn nestled nearer to her companion, grasping his hand more tightly as the sun began to go down.
"Of course. But there is the story of old Sir Vernon, who was beheaded for treason under James II. The family brought his body back from the scaffold in an iron coffin with heavy locks and put it in the north vault. But ever afterwards, whenever the vault was opened to bury another of the family, they found the coffin wide open, the body standing upright against the wall, and the head rolled away in a corner smiling at it."
"As Uncle Hugh smiles?" Evelyn shivered.
"Yes, I suppose so," answered Gabriel, thoughtfully. "Of course I never saw it, and the vault has not been opened for thirty years. None of us have died since then."
"And if...if Uncle Hugh dies, shall you...?" Evelyn stopped. Her beautiful thin face was quite white.
"Yes. I shall see him laid there too, with his secret, whatever it is." Gabriel sighed and pressed the girl's little hand.
"I do not like to think of it," she said unsteadily. "O Gabriel, what can the secret be? He said we had better not marry. Not that he forbade it, but he said it so strangely, and he smiled. Ugh!" Her small white teeth chattered with fear, and she looked over her shoulder while drawing still closer to Gabriel. "And, somehow, I felt it in my own face."
"So did I," answered Gabriel in a low, nervous voice. "Nurse Macdonald..." He stopped abruptly.
"What? What did she
"Oh, nothing. She has told me things.... They would frighten you, dear. Come, it is growing chilly." He rose, but Evelyn held his hand in both of hers, still sitting and looking up into his face.
"But we shall be married just the same-- Gabriel! Say that we shall!"
"Of course, darling, of course. But while my father is so very ill, it is impossible--"
"O Gabriel, Gabriel, dear! I wish we were married now!" Evelyn cried in sudden distress. "I know that something will prevent it and keep us apart."
"Nothing shall!"
"Nothing?"
"Nothing human," said Gabriel Ockram, as she drew him down to her.
And their faces, that were so strangely alike, met and touched. Gabriel knew that the kiss had a marvelous savor of evil. Evelyn's lips were like the cool breath of a sweet and mortal fear that neither of them understood, for they were innocent and young. Yet she drew him to her by her lightest touch, as a sensitive plant shivers, waves its thin leaves, and bends and closes softly upon what it wants. He let himself be drawn to her willingly--as he would even if her touch had been deadly and poisonous--for he strangely loved that half voluptuous breath of fear, and he passionately desired the nameless evil something that lurked in her maiden lips.
"It is as if we loved in a strange dream," she said.
"I fear the waking," he murmured.
"We shall not wake, dear. When the dream is over it will have already turned into death, so softly that we shall not know it. But until then..."
She paused, her eyes seeking his, as their faces slowly came nearer. It was as if each had thoughts in their lips that foresaw and foreknew the other.
"Until then," she said again, very low, her mouth near to his.
"Dream--till then," he murmured.
NURSE MACDONALD slept sitting all bent together in a great old leather arm chair with wings -- many warm blankets wrapped about her, even in summer. She would rest her feet in a bag footstool lined with sheepskin while beside her, on a wooden table, there was a little lamp that burned at night, and an old silver cup, in which there was always something to drink.
Her face was very wrinkled, but the wrinkles were so small and fine and close together that they made shadows instead of lines. Two thin locks of hair, that were turning from white to a smoky yellow, fell over her temples from under her starched white cap. Every now and then she would wake from her slumber, her eyelids drawn up in tiny folds like little pink silk curtains, and her queer blue eyes would look straight ahead through doors and walls and worlds to a far place beyond. Then she'd sleep again with her hands one upon the other on the edge of the blanket, her thumbs grown longer than the fingers with age.
It was nearly one o'clock in the night, and the summer breeze was blowing the ivy branch against the panes of the window with a hushing caress. In the small room beyond, with the door ajar, the young maid who took care of Nurse Macdonald was fast asleep. All was very quiet. The old woman breathed regularly, and her drawn lips trembled each time the breath went out.
But outside the closed window there was a face. Violet eyes were looking steadily at the ancient sleeper. Strange, as there were eighty feet from the sill of the window to the foot of the tower. It was like the face of Evelyn Warburton, yet the cheeks were thinner than Evelyn's and as white as a gleam. The eyes stared and the lips were red with life. They were dead lips painted with new blood.
Slowly Nurse Macdonald's wrinkled eyelids folded back, and she looked straight at the face at the window.
"Is it time?" she asked in her little old, faraway voice.
While she looked the face at the window changed, the eyes opened wider and wider till the white glared all round the bright violet and the bloody lips opened over gleaming teeth. The shadowy golden hair surrounding the face rose and streamed against the window in the night breeze and in answer to Nurse Macdonald's question came a sound that froze the living flesh.
It was a low-moaning voice, one that rose suddenly, like the scream of storm. Then it went from a moan to a wail, from a wail to a howl, and from a howl to the shriek of the tortured dead. He who has heard it before knows, and he can bear witness that the cry of the banshee is an evil cry to hear alone in the deep night.
When it was over and the face was gone, Nurse Macdonald shook a little in her great chair. She looked at the black square of the window, but there was nothing more there, nothing but the night and the whispering ivy branch. She turned her head to the door that was ajar, and there stood the young maid in her white gown, her teeth chattering with fright.
"It is time, child," said Nurse Macdonald. "I must go to him, for it is the end."
She rose slowly, leaning her withered hands upon the arms of the chair as the girl brought her a woollen gown, a great mantle and her crutch-stick. But very often the girl looked at the window and was unjointed with fear, and often Nurse Macdonald shook her head and said words which the maid could not understand.
"It was like the face of Miss Evelyn," said the girl, trembling.
But the ancient woman looked up sharply and angrily. Her queer blue eyes glared. She held herself up by the arm of the great chair with her left hand, and lifted up her crutch- stick to strike the maid with all her might. But she did not.
"You are a good girl," she said, "but you are a fool. Pray for wit, child. Pray for wit--or else find service in a house other than Ockram Hall. Now bring the lamp and help me up."
Each step Nurse Macdonald took was a labour in itself, and as she moved, the maid's slippers clappered alongside. By the clacking noise the other servants knew that she was coming, very long before they saw her.
No one was sleeping now, and there were lights, and whisperings, and pale faces in the corridors near Sir Hugh's bedroom. Often someone would go in, and someone would come out, but every one made way for Nurse Macdonald, who had nursed Sir Hugh's father more than eighty years ago.
The light was soft and clear in the room. Gabriel Ockram stood by his father's bedside, and there knelt Evelyn Warburton--her hair lying like a golden shadow down her shoulder, and her hands clasped nervously together. Opposite Gabriel, a nurse was trying to make Sir Hugh drink, but he would not. His lips parted, but his teeth were set. He was very, very thin now, and as his eyes caught the light sideways, they were as yellow coals.
"Do not torment him," said Nurse Macdonald to the woman who held the cup. "Let me speak to him, for his hour is come."
"Let her speak to him," said Gabriel in a dull voice.
The ancient nurse leaned to the pillow and laid the feather-weight of her withered hand--that was like a grown moth--upon Sir Hugh's yellow fingers. Then she spoke to him earnestly, while only Gabriel and Evelyn were left in the room to hear.
"Hugh Ockram," she said, "this is the end of your life; and as I saw you born, and saw your father born before you, I come to see you die. Hugh Ockram, will you tell me the truth?"
The dying man recognized the little faraway voice he had known all his life and he very slowly turned his yellow face 4o Nurse Macdonald, but he said nothing. Then she spoke again.
"Hugh Ockram, you will never see the daylight again. Will you tell the truth?"
His toad like eyes were not yet dull. They fastened themselves on her face.
"What do you want of me?" he asked, each word sounding more hollow than the last. "I have no secrets. I have lived a good life."
Nurse Macdonald laughed--a tiny, cracked laugh that made her old head bob and tremble a little, as if her neck were on a steel spring. But Sir Hugh's eyes grew red, and his pale lips began to twist.
"Let me die in peace," he said slowly.
But Nurse Macdonald shook her head, and her brown, mothlike hand left his and fluttered to his forehead.
"By the mother that bore you and died of grief for the sins you did, tell me the truth!"
Sir Hugh's lips tightened on his discoloured teeth.
"Not on earth," he answered slowly.
"By the wife who bore your son and died heartbroken, tell me the truth!"
"Neither to you in life, nor to her in eternal death."
His lips writhed, as if the words were coals between them, and a great drop of sweat rolled across the parchment of his forehead. Gabriel Ockram bit his hand as he watched his father die. But Nurse Macdonald spoke a third time.
"By the woman whom you betrayed, and who waits for you this night, Hugh Ockram, tell me the truth!"
"It is too late. Let me die in peace."
His writhing lips began to smile across his yellow teeth, and his toadlike eyes glowed like evil jewels in his head.
"There is time," said the ancient woman. "Tell me the name of Evelyn Warburton's father. Then I will let you die in peace."
Evelyn started. She stared at Nurse Macdonald, and then at her uncle.
"The name of Evelyn's father?" he repeated slowly, while the awful smile spread upon his dying face.
The light was growing strangely dim in the great room. As Evelyn looked on, Nurse Macdonald's crooked shadow on the wall grew gigantic. Sir Hugh's breath was becoming thick, rattling in his throat, as death crept in like a snake and choked it back. Evelyn prayed aloud, high and clear.
Then something rapped at the window, and she felt her hair rise upon her head. She looked around in spite of herself. And when she saw her own white face looking in at the window, her own eyes staring at her through the glass--wide and fearful--her own hair streaming against the pane, and her own lips dashed with blood, she rose slowly from the floor and stood rigid for one moment before she screamed once and fell straight back into Gabriel's arms. But the shriek that answered hers was the fear-shriek of a tormented corpse out of which the soul cannot pass for shame of deadly sins.
Sir Hugh Ockram sat upright in his deathbed, and saw and cried aloud:
"Evelyn!" His harsh voice broke and rattled in his chest as he sank down. But still Nurse Macdonald tortured him, for there was a little life left in him still.
"You have seen the mother as she waits for you, Hugh Ockram. Who was this girl Evelyn's father? What was his name?"
For the last time the dreadful smile came upon the twisted lips, very slowly, very surely now. The toad eyes glared red and the parchment face glowed a little in the flickering light; for the last time words came.
"They know it in hell."
Then the glowing eyes went out quickly. The yellow face turned waxen pale, and a great shiver ran through the thin body as Hugh Ockram died.
But in death he still smiled, for he knew his secret and kept it still. He would take it with him to the other side, to lie with him forever in the north vault of the chapel where the Ockrams lie uncoffined in their shrouds--all but one. Though he was dead, he smiled, for he had kept his treasure of evil truth to the end. There was none left to tell the name he had spoken, but there was all the evil he had not undone left to bear fruit.
As they watched--Nurse Macdonald and Gabriel, who held the still unconscious Evelyn in his arms while he looked at the father--they felt the dead smile crawling along their own lips. Then they shivered a little as they both looked at Evelyn as she lay with her head on Gabriel's shoulder, for though she was very beautiful, the same sickening smile was twisting her young mouth too, and it was like the foreshadowing of a great evil that they could not understand.
By and by they carried Evelyn out, and when she opened her eyes the smile was gone. From far away in the great house the sound of weeping and crooning came up the stairs and echoed along the dismal corridors as the women had begun to mourn the dead master in the Irish fashion. The hall had echoes of its own all that night, like the far-off wail of the banshee among forest trees.
When the time was come they took Sir Hugh in his winding-sheet on a trestle bier and bore him to the chapel, through the iron door and down the long descent to the north vault lit with tapers, to lay him by his father. The two men went in first to prepare the place, and came back staggering like drunken men, their faces white.
But Gabriel Ockram was not afraid, for he knew. When he went in, alone, he saw the body of Sir Vernon Ockram leaning upright against the stone wall. Its head lay on the ground nearby with the face turned up. The dried leather lips smiled horribly at the dried-up corpse, while the iron coffin, lined with black velvet, stood open on the floor.
Gabriel took the body in his hands--for it was very light, being quite dried by the air of the vault-- and those who peeped in the door saw him lay it in the coffin again. They heard it rustle a little, as it touched the sides and the bottom, like a bundle of reeds. He also placed the head upon the shoulders and shut down the lid, which fell to with the snap of its rusty spring.
After that they laid Sir Hugh beside his father, on the trestle bier on which they had brought him, and they went back to the chapel. But when they looked into one another's faces, master and men, they were all smiling with the dead smile of the corpse they had left in the vault. They could not bear to look at one another again until it had faded away.
GABRIEL OCKRAM became Sir Gabriel, inheriting the baronetcy with the half-ruined fortune left by his father, and Evelyn Warburton continued to lived at Ockram Hall, in the south room that had been hers ever. since she could remember. She could not go away, for there were no relatives to whom she could have gone, and besides, there seemed to be no reason why she should not stay. The world would never trouble itself to care what the Ockrams did on their Irish estates. It was long since the Ockrams had asked anything of the world.
So Sir Gabriel took his father's place at the dark old table in the dining room, and Evelyn sat opposite to him-- until such time as their mourning should be over -- and they might be married at last. Meanwhile, their lives went on as before -- since Sir Hugh had been a hopeless invalid during the last year of his life, and they had seen him but once a day for a little while -- spending most of their time together in a strangely perfect companionship.
Though the late summer saddened into autumn, and autumn darkened into winter, and storm followed storm, and rain poured on rain through the short days and the long nights, Ockram Hall seemed less gloomy since Sir Hugh had been laid in the north vault beside his father.
At Christmastide Evelyn decked the great hall with holly and green boughs. Huge fires blazed on every hearth. The tenants were all bid to come to a New Year's dinner at which they ate and drank well, while Sir Gabriel sat at the head of the table. Evelyn came in when the port wine was brought and the most respected of the tenants made a speech to her health.
When the speechmaker said it had been a long time since there had been a Lady Ockram, Sir Gabriel shaded his eyes with his hand and looked down at the table; a faint color came into Evelyn's transparent cheeks. And, said the gray-haired farmer, it was longer still since there had been a Lady Ockram so fair as the next was to be, and he drank to the health of Evelyn Warburton.
Then the tenants all stood up and shouted for her. Sir Gabriel stood up likewise, beside Evelyn. But when the men gave the last and loudest cheer of all, there was a voice not theirs, above them all, higher, fiercer, louder-- an unearthly scream-shrieking for the bride of Ockram Hall. It was so loud that the holly and the green boughs over the great chimney shook and waved as if a cool breeze were blowing over them.
The men turned very pale. Many of them set down their glasses, but others let them fall upon the floor. Looking into one another's faces, they saw that they were all smiling strangely--a dead smile--like dead Sir Hugh's.
The fear of death was suddenly upon them all, so that they fled in a panic, falling over one another like wild beasts in the burning forest when the thick smoke runs along before the flame. Tables were overturned, drinking glasses and bottles were broken in heaps, and dark red wine crawled like blood upon the polished floor.
Sir Gabriel and Evelyn were left standing alone at the head of the table before the wreck of their feast, not daring to turn to look at one another, for each knew that the other smiled. But Gabriel's right arm held her and his left hand clasped her tight as they stared before them. But for the shadows of her hair, one might not have told their two faces apart.
They listened long, but the cry came not again, and eventually the dead smile faded from their lips as each remembered that Sir Hugh Ockram lay in the north vault smiling in his winding sheet, in the dark, because he had died with his secret.
So ended the tenants' New Year's dinner. But from that time on, Sir Gabriel grew more and more silent and his face grew even paler and thinner than before. Often, without warning and without words, he would rise from his seat as if something moved him against his will. He would go out into the rain or the sunshine to the north side of the chapel, sit on the stone bench and stare at the ground as if he could see through it, through the vault below, and through the white winding sheet in the dark, to the dead smile that would not die.
Always when he went out in that way Evelyn would come out presently and sit beside him. Once, as in the past, their beautiful faces came suddenly near; their lids drooped, and their red lips were almost joined together. But as their eyes met, they grew wide and wild, so that the white showed in a ring all round the deep violet. Their teeth chattered and their hands were like the hands of corpses, for fear of what was under their feet, and of what they knew but could not see.
Once, Evelyn found Sir Gabriel in the chapel alone, standing before the iron door that led down to the place of death with the key to the door in his hand, but he had not put it into the lock. Evelyn drew him away, shivering, for she had also been driven--in waking dreams--to see that terrible thing again, and to find out whether it had changed since it had been laid there.
"I'm going mad," said Sir Gabriel, covering his eyes with his hand as he went with her. "I see it in my sleep. I see it when I am awake. It draws me to it, day and night and unless I see it I shall die!"
"I know," answered Evelyn, "I know. It is as if threads were spun from it like a spider's, drawing us down to it." She was silent for a moment and then she started violently and grasped his arm with a man's strength, and almost screamed the words she spoke. "But we must not go there!" she cried. "We must not go!"
Sir Gabriel's eyes were half shut, and he was not moved by the agony of her face.
"I shall die, unless I see it again," he said, in a quiet voice not like his own. And all that day and that evening he scarcely spoke, thinking of it, always thinking, while Evelyn Warburton quivered from head to foot with a terror she had never known.
One grey winter morning, she went alone to Nurse Macdonald's room in the tower, and sat down beside the great leather easy chair, laying her thin white hand upon the withered fingers.
"Nurse," she said, "what was it that Uncle Hugh should have told you, that night before he died? It must have been an awful secret--and yet, though you asked him, I feel somehow that you know it, and that you know why he used to smile so dreadfully."
The old woman's head moved slowly from side to side.
"I only guess.... I shall never know," she answered slowly in her cracked little voice.
"But what do you guess? Who am I? Why did you ask who my father was? You know I am Colonel Warburton's daughter, and my mother was Lady Ockram's sister, so that Gabriel and I are cousins. My father was killed in Afghanistan. What secret can there be?"
"I do not know. I can only guess."
"Guess what?" asked Evelyn imploringly, pressing the soft withered hands, as she leaned forward. But Nurse Macdonald's wrinkled lids dropped suddenly over her queer blue eyes, and her lips shook a little with her breath, as if she were asleep.
Evelyn waited. By the fire the Irish maid was knitting fast. Her needles clicked like three or four clocks ticking against each other. But the real clock on the wall solemnly ticked alone, checking off the seconds of the woman who was a hundred years old, and had not many days left. Outside the ivy branch beat the window in the wintry blast, as it had beaten against the glass a hundred years ago.
Then as Evelyn sat there she felt again the waking of a horrible desire--the sickening wish to go down, down to the thing in the north vault, and to open the winding-sheet, and see whether it had changed; and she held Nurse Macdonald's hands as if to keep herself in her place and fight against the appalling attraction of the evil dead.
But the old cat that kept Nurse Macdonald's feet warm, lying always on the footstool, got up and stretched itself, and looked up into Evelyn's eyes, while its back arched, and its tail thickened and bristled, and its ugly pink lips drew back in a devilish grin, showing its sharp teeth. Evelyn stared at it, half fascinated by its ugliness. Then the creature suddenly put out one paw with all its claws spread, and spat at the girl. All at once the grinning cat was like the smiling corpse far down below. Evelyn shivered down to her small feet, and covered her face with her free hand, lest Nurse Macdonald should wake and see the dead smile there, for she could feel it.
The old woman had already opened her eyes again, and she touched her cat with the end of her crutch-stick, whereupon its back went down and its tail shrunk, and it sidled back to its place on the footstool. But its yellow eyes looked up sideways at Evelyn, between the slits of its lids.
"What is it that you guess, nurse?" asked the young girl again.
"A bad thing, a wicked thing. But I dare not tell you, lest it might not be true, and the very thought should blast your life. For if I guess right, he meant that you should not know, and that you two should marry and pay for his old sin with your souls."
"He used to tell us that we ought not to marry."
"Yes--he told you that, perhaps. But it was as if a man put poisoned meat before a starving beast, and said 'do not eat,' but never raised his hand to take the meat away. And if he told you that you should not marry, it was because he hoped you would; for of all men living or dead, Hugh Ockram was the falsest man that ever told a cowardly lie, and the crudest that ever hurt a weak woman, and the worst that ever loved a sin."
"But Gabriel and I love each other," said Evelyn very sadly.
Nurse Macdonald's old eyes looked far away, at sights seen long ago, and that rose in the grey winter air amid the mists of an ancient youth.
"If you love, you can die together," she said, very slowly. "Why should you live, if it is true? I am a hundred years old. What has life given me? The beginning is fire; the end is a heap of ashes; and between the end and the beginning lies all the pain of the world. Let me sleep, since I cannot die."
Then the old woman's eyes closed again, and her head sank a little lower upon her breast.
So Evelyn went away and left her asleep, with the cat asleep on the footstool. The young girl tried to forget Nurse Macdonald's words, but she could not, for she heard them over and over again in the wind, and behind her on the stairs. And as she grew sick with fear of the frightful unknown evil to which her soul was bound, she felt a bodily something pressing her, pushing her, forcing her on from the other side. She felt threads that drew her mysteriously, and when she shut her eyes, she saw in the chapel behind the altar, the low iron door through which she must pass to go to the thing.
As she lay awake at night, she drew the sheet over her face, lest she should see shadows on the wall beckoning to her. The sound of her own warm breath made whisperings in her ears, while she held the mattress with her hands, to keep from getting up and going to the chapel. It would have been easier if there had not been a way thither through the library, by a door which was never locked. It would be fearfully easy to take her candle and go softly through the sleeping house. The key of the vault lay under the altar behind a stone that turned. She knew that little secret. She could go alone and
see.
But when she thought of it, she felt her hair rise on her head. She shivered so that the bed shook, then the horror went through her in a cold thrill that was agony again, like a myriad of icy needles boring into her nerves.
THE OLD CLOCK in Nurse Macdonald's tower struck midnight. From her room she could hear the creaking chains, and weights in their box in the corner of the staircase, and the jarring of the rusty lever that lifted the hammer. She had heard it all her life. It struck eleven strokes clearly, and then came the twelfth with a dull half stroke, as though the hammer were too weary to go on and had fallen asleep against the bell.
The old cat got up from the footstool and stretched itself. Nurse Macdonald opened her ancient eyes and looked slowly round the room by the dim light of the night lamp. She touched the cat with her crutch-stick, and it lay down upon her feet. She drank a few drops from her cup and went to sleep again.
But downstairs Sir Gabriel sat straight up as the clock struck, for he had dreamed a fearful dream of horror, and his heart stood still. He awoke at its stopping and it beat again furiously with his breath, like a wild thing set free. No Ockram had ever known fear waking, but sometimes it came to Sir Gabriel in his sleep.
He pressed his hands to his temples as he sat up in bed. His hands were icy cold, but his head was hot. The dream faded far and in its place there came the master thought that racked his life. With the thought also came the sick twisting of his lips in the dark that would have been a smile. Far off, Evelyn Warburton dreamed that the dead smile was on her mouth, and awoke--starting with a little moan--her face in her hands, shivering.
But Sir Gabriel struck a light and got up and began to walk up and down his great room. It was midnight and he had barely slept an hour, and in the north of Ireland the winter nights are long.
"I shall go mad," he said to himself, holding his forehead. He knew that it was true. For weeks and months the possession of the thing had grown upon him like a disease, till he could think of nothing without thinking first of that. And now all at once it outgrew his strength, and he knew that he must be its instrument or lose his mind. He knew that he must do the deed he hated and feared, if he could fear anything, or that something would snap in his brain and divide him from life while he was yet alive. He took the candlestick in his hand, the old-fashioned heavy candlestick that had always been used by the head of the house. He did not think of dressing, but went as he was-- in his silk night clothes and his slippers--and opened the door.
Everything was very still in the great old house. He shut the door behind him and walked noiselessly on the carpet through the long corridor. A cool breeze blew over his shoulder and blew the flame of his candle straight out. Instinctively he stopped and looked round, but all was still, and the upright flame burned steadily. He walked on, and instantly a strong draught was behind him, almost extinguishing the light. It seemed to blow him on his way, ceasing whenever he turned, coming again when he went on--invisible, icy.
Down the great staircase to the echoing hall he went, seeing nothing but the flaring flame of the candle standing away from him over the guttering wax. The cold wind blew over his shoulder and through his hair. On he passed through the open door into the library dark with old books and carved bookcases. On he went through the door with shelves and the imitated backs of books painted on it, which shut itself after him with a soft click.
He entered the low-arched passage, and though the door was shut behind him and fitted tightly in its frame, still the cold breeze blew the flame forward as he walked. He was not afraid; but his face was very pale and his eyes were wide and bright, seeing already in the dark air the picture of the thing beyond. But in the chapel he stood still, his hand on the little turning stone tablet in the back of the stone altar. On the tablet were engraved the words:
XxxPRE Clavis sepulchri Clarissimorum Dominorum De Ockram
("the key to the vault of the most illustrious lords of Ockram").
Sir Gabriel paused and listened. He fancied that he heard a sound far off in the great house where all had been so still, but it did not come again. Yet he waited at the last, and looked at the low iron door. Beyond it, down the long descent, lay his father uncoffined, six months dead, corrupt, terrible in his clinging shroud. The strangely preserving air of the vault could not yet have done its work completely. But on the thing's ghastly features, with their half-dried, open eyes, there would still be the frightful smile with which the man had died--the smile that haunted.
As the thought crossed Sir Gabriel's mind, he felt his lips writhing, and he struck his own mouth in wrath with the back of his hand so fiercely that a drop of blood ran down his chin, and another, and more, falling back in the gloom upon the chapel pavement. But still his bruised lips twisted themselves. He turned the tablet by the simple secret. It needed no safer fastening, for had each Ockram been coffined in pure gold, and had the door been open wide, there was not a man in Tyrone brave enough to go down to that place, save Gabriel Ockram himself, with his angel's face, his thin, white hands, and his sad unflinching eyes. He took the great old key and set it into the lock of the iron door. The heavy, rattling noise echoed down the descent beyond like footsteps, as if a watcher had stood behind the iron and were running away within, with heavy dead feet. And though he was standing still, the cool wind was from behind him, and blew the flame of the candle against the iron panel. He turned the key.
Sir Gabriel saw that his candle was short. There were new ones on the altar, with long candlesticks, so he lit one and left his own burning on the floor. As he set it down on the pavement his lip began to bleed again, and another drop fell upon the stones.
He drew the iron door open and pushed it back against the chapel wall, so that it should not shut of itself, while he was within; and the horrible draught of the sepulchre came up out of the depths in his face, foul and dark. He went in, but though the fetid air met him, yet the flame of the tall candle was blown straight from him against the wind while he walked down the easy incline with steady steps, his loose slippers slapping the pavement as he trod.
He shaded the candle with his hand, and his fingers seemed to be made of wax and blood as the light shone through them. And in spite of him the unearthly draught forced the flame forward, till it was blue over the black wick, and it seemed as if it must go out. But he went straight on, with shining eyes.
The downward passage was wide, and he could not always see the walls by the struggling light, but he knew when he was in the place of death by the larger, drearier echo of his steps in the greater space, and by the sensation of a distant blank wall. He stood still, almost enclosing the flame of the candle in the hollow of his hand. He could see a little, .for his eyes were growing used to the gloom. Shadowy forms were outlined in the dimness, where the biers of the Ockrams stood crowded together, side by side, each with its straight, shrouded corpse, strangely preserved by the dry air, like the empty shell that the locust sheds in summer. And a few steps before him he saw clearly the dark shape of headless Sir Vernon's iron coffin, and he knew that nearest to it lay the thing he sought.
He was as brave as any of those dead men had been. They were his fathers, and he knew that sooner or later he should lie there himself, beside Sir Hugh, slowly drying to a parchment shell. But as yet, he was still alive. He closed his eyes a moment as three great drops stood on his forehead.
Then he looked again, and by the whiteness of the winding sheet he knew his father's corpse, for all the others were brown with age; and, moreover, the flame of the candle was blown toward it. He made four steps till he reached it, and suddenly the light burned straight and high, shedding a dazzling yellow glare upon the fine linen that was all white, save over the face, and where the joined hands were laid on the breast. And at those places ugly stains had spread, darkened with outlines of the features and of the tight clasped fingers. There was a frightful stench of drying death.
As Sir Gabriel looked down, something stirred behind him, softly at first, then more noisily, and something fell to the stone floor with a dull thud and rolled up to his feet. He started back and saw a withered head lying almost face upward on the pavement, grinning at him. He felt the cold sweat standing on his face, and his heart beat painfully.
For the first time in all his life that evil thing which men call fear was getting hold of him, checking his heart-strings as a cruel driver checks a quivering horse, clawing at his backbone with icy hands, lifting his hair with freezing breath, climbing up and gathering in his midriff with leaden weight.
Yet he bit his lip and bent down, holding the candle in one hand, to lift the shroud back from the head of the corpse with the other. Slowly he lifted it. It clove to the half-dried skin of the face, and his hand shook as if someone had struck him on the elbow, but half in fear and half in anger at himself, he pulled it, so that it came away with a little ripping sound. He caught his breath as he held it, not yet throwing it back, and not yet looking. The horror was working in him and he felt that old Vernon Ockram was standing up in his iron coffin, headless, yet watching him with the stump of his severed neck.
While he held his breath he felt the dead smile twisting his lips. In sudden wrath at his own misery, he tossed the death-stained linen backward, and looked at last. He ground his teeth lest he should shriek aloud. There it was, the thing that haunted him, that haunted Evelyn Warburton, that was like a blight on all that came near him.
The dead face was blotched with dark stains, and the thin, grey hair was matted about the discoloured forehead. The sunken lids were half open, and the candlelight gleamed on something foul where the toad eyes had lived.
But yet the dead thing smiled, as it had smiled in life. The ghastly lips were parted and drawn wide and tight upon the wolfish teeth, cursing still, and still defying hell to do its worst--defying, cursing, and always and forever smiling alone in the dark.
Sir Gabriel opened the sheet where the hands were. The blackened, withered fingers were closed upon something stained and mottled. Shivering from head to foot, but fighting like a man in agony for his life, he tried to take the package from the dead man's hold. But as he pulled at it the clawlike fingers seemed to close more tightly. When he pulled harder the shrunken hands and arms rose from the corpse with a horrible look of life following his motion--then as he wrenched the sealed packet loose at last, the hands fell back into their place still folded.
He set down the candle on the edge of the bier to break the seals from the stout paper. Kneeling on one knee, to get a better light, he read what was within, written long ago in Sir Hugh's queer hand. He was no longer afraid.
He read how Sir Hugh had written it all down that it might perchance be a witness of evil and of his hatred. He had written how he had loved Evelyn Warburton, his wife's sister; and how his wife had died of a broken heart with his curse upon her. He wrote how Warburton and he had fought side by side in Afghanistan, and Warburton had fallen; but Ockram had brought his comrade's wife back a full year later, and little Evelyn, her child, had been born in Ockram Hall. And he wrote how he had wearied of the mother, and she had died like her sister with his curse on her; and how Evelyn had been brought up as his niece, and how he had trusted that his son Gabriel and his daughter, innocent and unknowing, might love and marry, and the souls of the women he had betrayed might suffer yet another anguish before eternity was out. And, last of all, he hoped that some day, when nothing could be undone, the two might find his writing and live on, as man and wife, not daring to tell the truth for their children's sake and the world's word.
This he read, kneeling beside the corpse in the north vault, by the light of the altar candle. He had read it all and then he thanked God aloud that he had found the secret in time. When he finally rose to his feet and looked down at the dead face it had changed. The smile was gone from it. The jaw had fallen a little and the tired, dead lips were relaxed. And then there was a breath behind him and close to him, not cold like that which had blown the flame of the candle as he came, but warm and human. He turned suddenly.
There she stood, all in white, with her shadowy golden hair. She had risen from her bed and had followed him noiselessly. When she found him reading, she read over his shoulder.
He started violently when he saw her, for his nerves were unstrung. Then he cried out her name in that still place of death:
"Evelyn!"
"My brother!" she answered softly and tenderly, putting out both hands to meet his.
I have often heard it scream. No, I am not nervous, I am not imaginative, and I never believed in ghosts, unless that thing is one. Whatever it is, it hates me almost as much as it hated Luke Pratt, and it screams at me.
If I were you, I would never tell ugly stories about ingenious ways of killing people, for you never can tell but that some one at the table may be tired of his or her nearest and dearest. I have always blamed myself for Mrs. Pratt's death, and I suppose I was responsible for it in a way, though heaven knows I never wished her anything but long life and happiness. If I had not told that story she might be alive yet. That is why the thing screams at me, I fancy.
She was a good little woman, with a sweet temper, all things considered, and a nice gentle voice; but I remember hearing her shriek once when she thought her little boy was killed by a pistol that went off though everyone was sure that it was not loaded. It was the same scream; exactly the same, with a sort of rising quaver at the end; do you know what I mean? Unmistakable.
The truth is, I had not realized that the doctor and his wife were not on good terms. They used to bicker a bit now and then when I was here, and I often noticed that little Mrs. Pratt got very red and bit her lip hard to keep her temper, while Luke grew pale and said the most offensive things. He was that sort when he was in the nursery, I remember, and afterwards at school. He was my cousin, you know; that is how I came by this house; after he died, and his boy Charley was killed in South Africa, there were no relations left. Yes, it's a pretty little property, just the sort of thing for an old sailor like me who has taken to gardening.
One always remembers one's mistakes much more vividly than one's cleverest things, doesn't one? I've often noticed it. I was dining with the Pratts one night, when I told them the story that afterwards made so much difference. It was a wet night in November, and the sea was moaning. Hush!--if you don't speak you will hear it now. . .
Do you hear the tide? Gloomy sound, isn't it? Sometimes, about this time of year--hallo!--there it is! Don't be frightened, man--it won't eat you--it's only a noise, after all! But I'm glad you've heard it, because there are always people who think it's the wind, or my imagination, or something. You won't hear it again tonight, I fancy, for it doesn't often come more than once. Yes--that's right. Put another stick on the fire, and a little more stuff into that weak mixture you're so fond of. Do you remember old Blauklot the carpenter, on that German ship that picked us up when the Clontarf went to the bottom? We were hove to in a howling gale one night, as snug as you please, with no land within five hundred miles, and the ship coming up and falling off as regularly as clockwork--"Biddy te boor beebles ashore tis night, poys!" old Blauklot sang out, as he went off to his quarters with the sail-maker. I often think of that, now that I'm ashore for good and all.
Yes, it was on a night like this, when I was at home for a spell, waiting to take the Olympia out on her first trip--it was on the next voyage that she broke the record, you remember--but that dates it. Ninety-two was the year, early in November.
The weather was dirty, Pratt was out of temper, and the dinner was bad, very bad indeed, which didn't improve matters, and cold, which made it worse. The poor little lady was very unhappy about it, and insisted on making a Welsh rarebit on the table to counteract the raw turnips and the half-boiled mutton. Pratt must have had a hard day. Perhaps he had lost a patient. At all events, he was in a nasty temper.
"My wife is trying to poison me, you see!" he said. "She'll succeed some day." I saw that she was hurt, and I made believe to laugh, and said that Mrs. Pratt was much too clever to get rid of her husband in such a simple way; and then I began to tell them about Japanese tricks with spun glass and chopped horsehair and the like.
Pratt was a doctor, and knew a lot more than I did about such things, but that only put me on my mettle, and I told a story about a woman in Ireland who did for three husbands before anyone suspected foul play.
Did you never hear that tale? The fourth husband managed to keep awake and caught her, and she was hanged. How did she do it? She drugged them, and poured melted lead into their ears through a little horn funnel when they were asleep... No--that's the wind whistling. It's backing up to the southward again. I can tell by the sound. Besides, the other thing doesn't often come more than once in an evening even at this time of year--when it happened. Yes, it was in November. Poor Mrs. Pratt died suddenly in her bed not long after I dined here. I can fix the date, because I got the news in New York by the steamer that followed the Olympia when I took her out on her first trip. You had the Leofric the same year? Yes, I remember. What a pair of old buffers we are coming to be, you and I. Nearly fifty years since we were apprentices together on the Clontarf. Shall you ever forget old Blauklot? "Biddy te boor beebles ashore, poys!" Ha, ha! Take a little more, with all that water. It's the old Hulstkamp I found in the cellar when this house came to me, the same I brought Luke from Amsterdam five-and-twenty years ago. He had never touched a drop of it. Perhaps he's sorry now, poor fellow.
Where did I leave off? I told you that Mrs. Pratt died suddenly--yes. Luke must have been lonely here after she was dead, I should think; I came to see him now and then, and he looked worn and nervous, and told me that his practice was growing too heavy for him, though he wouldn't take an assistant on any account. Years went on, and his son was killed in South Africa, and after that he began to be queer. There was something about him not like other people. I believe he kept his senses in his profession to the end; there was no complaint of his having made mad mistakes in cases, or anything of that sort, but he had a look about him----
Luke was a red-headed man with a pale face when he was young, and he was never stout; in middle age he turned a sandy grey, and after his son died he grew thinner and thinner, till his head looked like a skull with parchment stretched over it very tight, and his eyes had a sort of glare in them that was very disagreeable to look at.
He had an old dog that poor Mrs. Pratt had been fond of, and that used to follow her everywhere. He was a bulldog, and the sweetest tempered beast you ever saw, though he had a way of hitching his upper lip behind one of his fangs that frightened strangers a good deal. Sometimes, of an evening, Pratt and Bumble--that was the dog's name--used to sit and look at each other a long time, thinking about old times, I suppose, when Luke's wife used to sit in that chair you've got. That was always her place, and this was the doctor's, where I'm sitting. Bumble used to climb up by the footstool--he was old and fat by that time, and could not jump much, and his teeth were getting shaky. He would look steadily at Luke, and Luke looked steadily at the dog, his face growing more and more like a skull with two little coals for eyes; and after about five minutes or so, though it may have been less, old Bumble would suddenly begin to shake all over, and all on a sudden he would set up an awful howl, as if he had been shot, and tumble out of the easy-chair and trot away, and hide himself under the sideboard, and lie there making odd noises.
Considering Pratt's looks in those last months, the thing is not surprising, you know. I'm not nervous or imaginative, but I can quite believe he might have sent a sensitive woman into hysterics--his head looked so much like a skull in parchment.
At last I came down one day before Christmas, when my ship was in dock and I had three weeks off. Bumble was not about, and I said casually that I supposed the old dog was dead.
"Yes," Pratt answered, and I thought there was something odd in his tone even before he went on after a little pause. "I killed him," he said presently. "I could stand it no longer."
I asked what it was that Luke could not stand, though I guessed well enough.
"He had a way of sitting in her chair and glaring at me, and then howling," Luke shivered a little. "He didn't suffer at all, poor old Bumble," he went on in a hurry, as if he thought I might imagine he had been cruel. "I put dionine into his drink to make him sleep soundly, and then I chloroformed him gradually, so that he could not have felt suffocated even if he was dreaming. It's been quieter since then."
I wondered what he meant, for the words slipped out as if he could not help saying them. I've understood since. He meant that he did not hear that noise so often after the dog was out of the way. Perhaps he thought at first that it was old Bumble in the yard howling at the moon, though it's not that kind of noise, is it? Besides, I know what it is, if Luke didn't. It's only a noise after all, and a noise never hurt anybody yet. But he was much more imaginative than I am. No doubt there really is something about this place that I don't understand; but when I don't understand a thing, I call it a phenomenon, and I don't take it for granted that it's going to kill me, as he did. I don't understand everything, by long odds, nor do you, nor does any man who has been to sea. We used to talk of tidal waves, for instance, and we could not account for them; now we account for them by calling them submarine earthquakes, and we branch off into fifty theories, any one of which might make earthquakes quite comprehensible if we only knew what they were. I fell in with one of them once, and the inkstand flew straight up from the table against the ceiling of my cabin. The same thing happened to Captain Lecky--I dare say you've read about it in his "Wrinkles". Very good. If that sort of thing took place ashore, in this room for instance, a nervous person would talk about spirits and levitation and fifty things that mean nothing, instead of just quietly setting it down as a "phenomenon" that has not been explained yet. My view of that voice, you see.
Besides, what is there to prove that Luke killed his wife? I would not even suggest such a thing to anyone but you. After all, there was nothing but the coincidence that poor little Mrs. Pratt died suddenly in her bed a few days after I told that story at dinner. She was not the only woman who ever died like that. Luke got the doctor over from the next parish, and they agreed that she had died of something the matter with her heart Why not? It's common enough.
Of course, there was the ladle. I never told anybody about that, and, it made me start when I found it in the cupboard in the bedroom. It was new, too--a little tinned iron ladle that had not been in the fire more than once or twice, and there was some lead in it that had been melted, and stuck to the bottom of the bowl, all grey, with hardened dross on it. But that proves nothing. A country doctor is generally a handy man, who does everything for himself, and Luke may have had a dozen reasons for melting a little lead in a ladle. He was fond of sea-fishing, for instance, and he may have cast a sinker for a night-line; perhaps it was a weight for the hall clock, or something like that. All the same, when I found it I had a rather queer sensation, because it looked so much like the thing I had described when I told them the story. Do you understand? It affected me unpleasantly, and I threw it away; it's at the bottom of the sea a mile from the Spit, and it will be jolly well rusted beyond recognizing if it's ever washed up by the tide.
You see, Luke must have bought it in the village, years ago, for the man sells just such ladles still. I suppose they are used in cooking. In any case, there was no reason why an inquisitive housemaid should find such a thing lying about, with lead in it, and wonder what it was, and perhaps talk to the maid who heard me tell the story at dinner--for that girl married the plumber's son in the village, and may remember the whole thing.
You understand me, don't you? Now that Luke Pratt is dead and gone, and lies buried beside his wife, with an honest man's tombstone at his head, I should not care to stir up anything that could hurt his memory. They are both dead, and their son, too. There was trouble enough about Luke's death, as it was.
How? He was found dead on the beach one morning, and there was a coroner's inquest. There were marks on his throat, but he had not been robbed. The verdict was that he had come to his end "By the hands or teeth of some person or animal unknown," for half the jury thought it might have been a big dog that had thrown him down and gripped his windpipe, though the skin of his throat was not broken. No one knew at what time he had gone out, nor where he had been. He was found lying on his back above high-water mark, and an old cardboard bandbox that had belonged to his wife lay under his hand, open. The lid had fallen off. He seemed to have been carrying home a skull in the box--doctors are fond of collecting such things. It had rolled out and lay near his head, and it was a remarkably fine skull, rather small, beautifully shaped and very white, with perfect teeth. That is to say, the upper jaw was perfect, but there was no lower one at all, when I first saw it.
Yes, I found it here when I came. You see, it was very white and polished, like a thing meant to be kept under a glass case, and the people did not know where it came from, nor what to do with it; so they put it back into the bandbox and set it on the shelf of the cupboard in the best bedroom, and of course they showed it to me when I took possession. I was taken down to the beach, too, to be shown the place where Luke was found, and the old fisherman explained just how he was lying, and the skull beside him. The only point he could not explain was why the skull had rolled up the sloping sand towards Luke's head instead of rolling downhill to his feet. It did not seem odd to me at the time, but I have often thought of it since, for the place is rather steep. I'll take you there tomorrow if you like--I made a sort of cairn of stones there afterwards.
When he fell down, or was thrown down--whichever happened--the bandbox struck the sand, and the lid came off, and the thing came out and ought to have rolled down. But it didn't. It was close to his head almost touching it, and turned with the face towards it. I say it didn't strike me as odd when the man told me; but I could not help thinking about It afterwards, again and again, till I saw a picture of it all when I closed my eyes; and then I began to ask myself why the plaguey thing had rolled up instead of down, and why it had stopped near Luke's head instead of anywhere else, a yard away, for instance.
You naturally want to know what conclusion I reached, don't you? None that at all explained the rolling, at all events. But I got something else into my head, after a time, that made me feel downright uncomfortable.
Oh, I don't mean as to anything supernatural! There may be ghosts, or there may not be. If there are, I'm not inclined to believe that they can hurt living people except by frightening them, and, for my part, I would rather face any shape of ghost than a fog in the Channel when it's crowded. No. What bothered me was just a foolish idea, that's all, and I cannot tell how it began, nor what made it grow till it turned into a certainty.
I was thinking about Luke and his poor wife one evening over my pipe and a dull book, when it occurred to me that the skull might possibly be hers, and I have never got rid of the thought since. You'll tell me there's no sense in it, no doubt, that Mrs. Pratt was buried like a Christian and is lying in the churchyard where they put her, and that it's perfectly monstrous to suppose her husband kept her skull in her old bandbox in his bedroom. All the same, in the face of reason, and common sense, and probability, I'm convinced that he did. Doctors do all sorts of queer things that would make men like you and me feel creepy, and those are Just the things that don't seem probable, nor logical, nor sensible to us.
Then, don't you see?--if it really was her skull, poor woman, the only way of accounting for his having it is that he really killed her, and did it in that way, as the woman killed her husbands in the story, and that he was afraid there might be an examination some day which would betray him. You see, I told that too, and I believe it had really happened some fifty or sixty years ago. They dug up the three skulls, you know, and there was a small lump of lead rattling about in each one. That was what hanged the woman. Luke remembered that, I'm sure. I don't want to know what he did when he thought of it; my taste never ran in the direction of horrors, and I don't fancy you care for them either, do you? No. If you did, you might supply what is wanting to the story.
It must have been rather grim, eh? I wish I did not see the whole thing so distinctly, just as everything must have happened. He took it the night before she was buried, I'm sure, after the coffin had been shut, and when the servant girl was asleep. I would bet anything, that when he'd got it, he put something under the sheet in its place, to fill up and look like it. What do you suppose he put there, under the sheet?
I don't wonder you take me up on what I'm saying! First I tell you that I don't want to know what happened, and that I hate to think about horrors, and then I describe the whole thing to you as if I had seen it. I'm quite sure that it was her work-bag that he put there. I remember the bag very well, for she always used it of an evening; it was made of brown plush, and when it was stuffed full it was about the size of--you understand. Yes, there I am, at it again! You may laugh at me, but you don't live here alone, where it was done, and you didn't tell Luke the story about the melted lead. I'm not nervous, I tell you, but sometimes I begin to feel that I understand why some people are. I dwell on all this when I'm alone, and I dream of it, and when that thing screams--well, frankly, I don't like the noise any more than you do, though I should be used to it by this time.
I ought not to be nervous. I've sailed in a haunted ship. There was a Man in the Top, and two-thirds of the crew died of the West Coast fever inside of ten days after we anchored; but I was all right, then and afterwards. I have seen some ugly sights, too, just as you have, and all the rest of us. But nothing ever stuck in my head in the way this does.
You see, I've tried to get rid of the thing, but it doesn't like that. It wants to be there in its place, in Mrs. Pratt's bandbox in the cupboard in the best bedroom. It's not happy anywhere else. How do I know that? Because I've tried it. You don't suppose that I've not tried, do you? As long as it's there it only screams now and then, generally at this time of year, but if I put it out of the house it goes on all night, and no servant will stay here twenty-four hours. As it is, I've often been left alone and have been obliged to shift for myself for a fortnight at a time. No one from the village would ever pass a night under the roof now, and as for selling the place, or even letting it, that's out of the question. The old women say that if I stay here I shall come to a bad end myself before long.
I'm not afraid of that. You smile at the mere idea that anyone could take such nonsense seriously. Quite right. It's utterly blatant nonsense, I agree with you. Didn't I tell you that it's only a noise after all when you started and looked round as if you expected to see a ghost standing behind your chair?
I may be all wrong about the skull, and I like to think that I am when I can. It may be just a fine specimen which Luke got somewhere long ago, and what rattles about inside when you shake it may be nothing but a pebble, or a bit of hard clay, or anything. Skulls that have lain long in the ground generally have something inside them that rattles don't they? No, I've never tried to get it out, whatever it is; I'm afraid it might be lead, don't you see? And if it is, I don't want to know the fact, for I'd much rather not be sure. If it really is lead, I killed her quite as much as if I had done the deed myself. Anybody must see that, I should think. As long as I don't know for certain, I have the consolation of saying that it's all utterly ridiculous nonsense, that Mrs. Pratt died a natural death and that the beautiful skull belonged to Luke when he was a student in London. But if I were quite sure, I believe I should have to leave the house; indeed I do, most certainly. As it is, I had to give up trying to sleep in the best bedroom where the cupboard is
You ask me why I don't throw it into the pond--yes, but please don't call it a "confounded bugbear"--it doesn't like being called names.
There! Lord, what a shriek! I told you so! You're quite pale, man. Fill up your pipe and draw your chair nearer to the fire, and take some more drink. Old Hollands never hurt anybody yet. I've seen a Dutchman in Java drink half a jug of Hulstkamp in a morning without turning a hair. I don't take much rum myself, because it doesn't agree with my rheumatism, but you are not rheumatic and it won't damage you Besides, it's a very damp night outside. The wind is howling again, and it will soon be in the south-west; do you hear how the windows rattle? The tide must have turned too, by the moaning.
We should not have heard the thing again if you had not said that. I'm pretty sure we should not. Oh yes, if you choose to describe it as a coincidence, you are quite welcome, but I would rather that you should not call the thing names again, if you don't mind. It may be that the poor little woman hears, and perhaps it hurts her, don't you know? Ghosts? No! You don't call anything a ghost that you can take in your hands and look at in broad daylight, and that rattles when you shake it Do you, now? But it's something that hears and understands; there's no doubt about that.
I tried sleeping in the best bedroom when I first came to the house just because it was the best and most comfortable, but I had to give it up It was their room, and there's the big bed she died in, and the cupboard is in the thickness of the wall, near the head, on the left. That's where it likes to be kept, in its bandbox. I only used the room for a fortnight after I came, and then I turned out and took the little room downstairs, next to the surgery, where Luke used to sleep when he expected to be called to a patient during the night.
I was always a good sleeper ashore; eight hours is my dose, eleven to seven when I'm alone, twelve to eight when I have a friend with me. But I could not sleep after three o'clock in the morning in that room--a quarter past, to be accurate--as a matter of fact, I timed it with my old pocket chronometer, which still keeps good time, and it was always at exactly seventeen minutes past three. I wonder whether that was the hour when she died?
It was not what you have heard. If it had been that, I could not have stood it two nights. It was just a start and a moan and hard breathing for a few seconds in the cupboard, and it could never have waked me under ordinary circumstances, I'm sure. I suppose you are like me in that, and we are just like other people who have been to sea. No natural sounds disturb us at all, not all the racket of a square-rigger hove to in a heavy gale, or rolling on her beam ends before the wind. But if a lead pencil gets adrift and rattles in the drawer of your cabin table you are awake in a moment. Just so--you always understand. Very well, the noise in the cupboard was no louder than that, but it waked me instantly.
I said it was like a "start". I know what I mean, but it's hard to explain without seeming to talk nonsense. Of course you cannot exactly "hear" a person "start"; at the most,you might hear the quick drawing of the breath between the parted lips and closed teeth, and the almost imperceptible sound of clothing that moved suddenly though very slightly. It was like that.
You know how one feels what a sailing vessel is going to do, two or three seconds before she does it, when one has the wheel. Riders say the same of a horse, but that's less strange, because the horse is a live animal with feelings of its own, and only poets and landsmen talk about a ship being alive, and all that. But I have always felt somehow that besides being a steaming machine or a sailing machine for carrying weights, a vessel at sea is a sensitive instrument, and a means of communication between nature and man, and most particularly the man at the wheel, if she is steered by hand. She takes her impressions directly from wind and sea, tide and stream, and transmits them to the man's hand, just as the wireless telegraphy picks up the interrupted currents aloft and turns them out below in the form of a message.
You see what I am driving at; I felt that something started in the cupboard, and I felt it so vividly that I heard it, though there may have' been nothing to hear, and the sound inside my head waked me suddenly. But I really heard the other noise. It was as if it were muffled inside a box, as far away as if it came through a long-distance telephone; and yet I knew that it was inside the cupboard near the head of my bed. My hair did not bristle and my blood did not run cold that time. I simply resented being waked up by something that had no business to make a noise, any more than a pencil should rattle in the drawer of my cabin table on board ship. For I did not understand; I just supposed that the cupboard had some communication with the outside air, and that the wind had got in and was moaning through it with a sort of very faint screech. I struck a light and looked at my watch, and it was seventeen minutes past three. Then I turned over and went to sleep on my right ear. That's my good one; I'm pretty deaf with the other, for I struck the water with it when I was a lad in diving from the fore-topsail yard. Silly thing to do, it was, but the result is very convenient when I want to go to sleep when there's a noise.
That was the first night, and the same thing happened again and several times afterwards, but not regularly, though it was always at the same time, to a second; perhaps I was sometimes sleeping on my good ear, and sometimes not. I overhauled the cupboard and there was no way by which the wind could get in, or anything else, for the door makes a good fit, having been meant to keep out moths, I suppose; Mrs. Pratt must have kept her winter things in it, for it still smells of camphor and turpentine.
After about a fortnight I had had enough of the noises. So far I had said to myself that it would be silly to yield to it and take the skull out of the room. Things always look differently by daylight, don't they? But the voice grew louder--I suppose one may call it a voice--and it got inside my deaf ear, too, one night. I realized that when I was wide awake, for my good ear was jammed down on the pillow, and I ought not to have heard a foghorn in that position. But I heard that, and it made me lose my temper, unless it scared me, for sometimes the two are not far apart. I struck a light and got up, and I opened the cupboard, grabbed the bandbox and threw it out of the window, as far as I could.
Then my hair stood on end. The thing screamed in the air, like a shell from a twelve-inch gun. It fell on the other side of the road. The night was very dark, and I could not see it fall, but I know it fell beyond the road The window is just over the front door, it's fifteen yards to the fence, more or less, and the road is ten yards wide. There's a thick-set hedge beyond, along the glebe that belongs to the vicarage.
I did not sleep much more than night. It was not more than half an hour after I had thrown the bandbox out when I heard a shriek outside--like what we've had tonight, but worse, more despairing, I should call it; and it may have been my imagination, but I could have sworn that the screams came nearer and nearer each time. I lit a pipe, and walked up and down for a bit, and then took a book and sat up reading, but I'll be hanged if I can remember what I read nor even what the book was, for every now and then a shriek came up that would have made a dead man turn in his coffin.
A little before dawn someone knocked at the front door. There was no mistaking that for anything else, and I opened my window and looked down, for I guessed that someone wanted the doctor, supposing that the new man had taken Luke's house. It was rather a relief to hear a human knock after that awful noise.
You cannot see the door from above, owing to the little porch. The knocking came again, and I called out, asking who was there, but nobody answered, though the knock was repeated. I sang out again, and said that the doctor did not live here any longer. There was no answer, but it occurred to me that it might be some old countryman who was stone deaf. So I took my candle and went down to open the door. Upon my word, I was not thinking of the thing yet, and I had almost forgotten the other noises. I went down convinced that I should find somebody outside, on the doorstep, with a message. I set the candle on the hall table, so that the wind should not blow it out when I opened. While I was drawing the old-fashioned bolt I heard the knocking again. It was not loud, and it had a queer, hollow sound, now that I was close to it, I remember, but I certainly thought it was made by some person who wanted to get in.
It wasn't. There was nobody there, but as I opened the door inward, standing a little on one side, so as to see out at once, something rolled across the threshold and stopped against my foot.
I drew back as I felt it, for I knew what it was before I looked down. I cannot tell you how I knew, and it seemed unreasonable, for I am still quite sure that I had thrown it across the road. It's a French window, that opens wide, and I got a good swing when I flung it out. Besides, when I went out early in the morning, I found the bandbox beyond the thick hedge.
You may think it opened when I threw it, and that the skull dropped out; but that's impossible, for nobody could throw an empty cardboard box so far. It's out of the question; you might as well try to fling a ball of paper twenty-five yards, or a blown bird's egg.
To go back, I shut and bolted the hall door, picked the thing up carefully, and put it on the table beside the candle. I did that mechanically, as one instinctively does the right thing in danger without thinking at all--unless one does the opposite. It may seem odd, but I believe my first thought had been that somebody might come and find me there on the threshold while it was resting against my foot, lying a little on its side, and turning one hollow eye up at my face, as if it meant to accuse me. And the light and shadow from the candle played in the hollows of the eyes as it stood on the table, so that they seemed to open and shut at me. Then the candle went out quite unexpectedly, though the door was fastened and there was not the least draught; and I used up at least half a dozen matches before it would burn again.
I sat down rather suddenly, without quite knowing why. Probably I had been badly frightened, and perhaps you will admit there was no great shame in being scared. The thing had come home, and it wanted to go upstairs, back to its cupboard. I sat still and stared at it for a bit till I began to feel very cold; then I took it and carried it up and set it in its place, and I remember that I spoke to it, and promised that it should have its bandbox again in the morning.
You want to know whether I stayed in the room till daybreak? Yes but I kept a light burning, and sat up smoking and reading, most likely out of fright; plain, undeniable fear, and you need not call it cowardice either, for that's not the same thing. I could not have stayed alone with that thing in the cupboard; I should have been scared to death, though I'm not more timid than other people. Confound it all, man, it had crossed the road alone, and had got up the doorstep and had knocked to be let in.
When the dawn came, I put on my boots and went out to find the bandbox. I had to go a good way round, by the gate near the high road, and I found the box open and hanging on the other side of the hedge. It had caught on the twigs by the string, and the lid had fallen off and was lying on the ground below it. That shows that it did not open till it was well over; and if it had not opened as soon as it left my hand, what was inside it must have gone beyond the road too.
That's all. I took the box upstairs to the cupboard, and put the skull back and locked it up. When the girl brought me my breakfast she said she was sorry, but that she must go, and she did not care if she lost her month's wages. I looked at her, and her face was a sort of greenish yellowish white. I pretended to be surprised, and asked what was the matter; but that was of no use, for she just turned on me and wanted to know whether I meant to stay in a haunted house, and how long I expected to live if I did, for though she noticed I was sometimes a little hard of hearing, she did not believe that even I could sleep through those screams again--and if I could, why had I been moving about the house and opening and shutting the front door, between three and four in the morning? There was no answering that, since she had heard me, so off she went, and I was left to myself. I went down to the village during the morning and found a woman who was willing to come and do the little work there is and cook my dinner, on condition that she might go home every night. As for me, I moved downstairs that day, and I have never tried to sleep in the best bedroom since. After a little while I got a brace of middle-aged Scotch servants from London, and things were quiet enough for a long time. I began by telling them that the house was in a very exposed position, and that the wind whistled round it a good deal in the autumn and winter, which had given it a bad name in the village, the Cornish people being inclined to superstition and telling ghost stories. The two hard-faced, sandy-haired sisters almost smiled, and they answered with great contempt that they had no great opinion of any Southern bogey whatever, having been in service in two English haunted houses, where they had never seen so much as the Boy in Grey, whom they reckoned no very particular rarity in Forfarshire.
They stayed with me several months, and while they were in the house we had peace and quiet. One of them is here again now, but she went away with her sister within the year. This one--she was the cook--married the sexton, who works in my garden. That's the way of it. It's a small village and he has not much to do, and he knows enough about flowers to help me nicely, besides doing most of the hard work; for though I'm fond of exercise, I'm getting a little stiff in the hinges. He's a sober, silent sort of fellow, who minds his own business, and he was a widower when I came here--Trehearn is his name, James Trehearn. The Scottish sisters would not admit that there was anything wrong about the house, but when November came they gave me warning that they were going, on the ground that the chapel was such a long walk from here, being in the next parish, and that they could not possibly go to our church. But the younger one came back in the spring, and as soon as the banns could be published she was married to James Trehearn by the vicar, and she seems to have had no scruples about hearing him preach since then. I'm quite satisfied, if she is! The couple live in a small cottage that looks over the churchyard.
I suppose you are wondering what all this has to do with what I was talking about. I'm alone so much that when an old friend comes to see me, I sometimes go on talking just for the sake of hearing my own voice. But in this case there is really a connection of ideas. It was James Trehearn who buried poor Mrs. Pratt, and her husband after her in the same grave, and it's not far from the back of his cottage. That's the connection in my mind, you see. It's plain enough. He knows something; I'm quite sure that he does, though he's such a reticent beggar.
Yes, I'm alone in the house at night now, for Mrs. Trehearn does everything herself, and when I have a friend the sexton's niece comes in to wait on the table. He takes his wife home every evening in winter, but in summer, when there's light, she goes by herself. She's not a nervous woman, but she's less sure than she used to be that there are no bogies in England worth a Scotch-woman's notice. Isn't it amusing, the idea that Scotland has a monopoly of the supernatural? Odd sort of national pride, I call that, don't you?
That's a good fire, isn't it? When driftwood gets started at last there's nothing like it, I think. Yes, we get lots of it, for I'm sorry to say there are still a great many wrecks about here. It's a lonely coast, and you may have all the wood you want for the trouble of bringing it in. Trehearn and I borrow a cart now and then, and load it between here and the Spit. I hate a coal fire when I can get wood of any sort A log is company, even if it's only a piece of a deck beam or timber sawn off, and the salt in it makes pretty sparks. See how they fly, like Japanese hand-fireworks! Upon my word, with an old friend and a good fire and a pipe, one forgets all about that thing upstairs, especially now that the wind has moderated. It's only a lull, though, and it will blow a gale before morning.
You think you would like to see the skull? I've no objection. There's no reason why you shouldn't have a look at it, and you never saw a more perfect one in your life, except that there are two front teeth missing in the lower jaw.
Oh yes--I had not told you about the jaw yet. Trehearn found it in the garden last spring when he was digging a pit for a new asparagus bed. You know we make asparagus beds six or eight feet deep here. Yes, yes--I had forgotten to tell you that. He was digging straight down, just as he digs a grave; if you want a good asparagus bed made, I advise you to get a sexton to make it for you. Those fellows have a wonderful knack at that sort of digging.
Trehearn had got down about three feet when he cut into a mass of white lime in the side of the trench. He had noticed that the earth was a little looser there, though he says it had not been disturbed for a number of years. I suppose he thought that even old lime might not be good for asparagus, so he broke it out and threw it up. It was pretty hard, he says, in biggish lumps, and out of sheer force of habit he cracked the lumps with his spade as they lay outside the pit beside him; the jaw bone of the skull dropped out of one of the pieces. He thinks he must have knocked out the two front teeth in breaking up the lime, but he did not see them anywhere. He's a very experienced man in such things, as you may imagine, and he said at once that the jaw had probably belonged to a young woman, and that the teeth had been complete when she died. He brought it to me, and asked me if I wanted to keep it; if I did not, he said he would drop it into the next grave he made in the churchyard, as he supposed it was a Christian jaw, and ought to have decent burial, wherever the rest of the body might be. I told him that doctors often put bones into quicklime to whiten them nicely, and that I supposed Dr Pratt had once had a little lime pit in the garden for that purpose, and had forgotten the jaw. Trehearn looked at me quietly.
"Maybe it fitted that skull that used to be in the cupboard upstairs, sir," he said. "Maybe Dr Pratt had put the skull into the lime to clean it, or something, and when he took it out he left the lower jaw behind. There's some human hair sticking in the lime, sir."
I saw there was, and that was what Trehearn said. If he did not suspect something, why in the world should he have suggested that the jaw might fit the skull? Besides, it did. That's proof that he knows more than he cares to tell. Do you suppose he looked before she was buried? Or perhaps--when he buried Luke in the same grave----
Well, well, it's of no use to go over that, is it? I said I would keep the jaw with the skull, and I took it upstairs and fitted it into its place. There's not the slightest doubt about the two belonging together, and together they are.
Trehearn knows several things. We were talking about plastering the kitchen a while ago, and he happened to remember that it had not been done since the very week when Mrs. Pratt died. He did not say that the mason must have left some lime on the place, but he thought it, and that it was the very same lime he had found in the asparagus pit. He knows a lot. Trehearn is one of your silent beggars who can put two and two together. That grave is very near the back of his cottage, too, and he's one of the quickest men with a spade I ever saw. If he wanted to know the truth, he could, and no one else would ever be the wiser unless he chose to tell. In a quiet village like ours, people don't go and spend the night in the churchyard to see whether the sexton potters about by himself between ten o'clock and daylight.
What is awful to think of, is Luke's deliberation, if he did it; his cool certainty that no one would find him out; above all, his nerve, for that must have been extraordinary. I sometimes think it's bad enough to live in the place where it was done, if it really was done. I always put in the condition, you see, for the sake of his memory, and a little bit for my own sake, too.
I'll go upstairs and fetch the box in a minute. Let me light my pipe; there's no hurry! We had supper early, and it's only half-past nine o'clock. I never let a friend go to bed before twelve, or with less than three glasses--you may have as many more as you like, but you shan't have less, for the sake of old times.
It's breezing up again, do you hear? That was only a lull just now, and we are going to have a bad night.
A thing happened that made me start a little when I found that the jaw fitted exactly. I'm not very easily startled in that way myself, but I have seen people make a quick movement, drawing their breath sharply, when they had thought they were alone and suddenly turned and saw someone very near them. Nobody can call that fear. You wouldn't, would you? No. Well, just when I had set the jaw in its place under the skull, the teeth closed sharply on my finger. It felt exactly as if it were biting me hard, and I confess that I jumped before I realized that I had been pressing the jaw and the skull together with my other hand. I assure you I was not at all nervous. It was broad daylight, too, and a fine day, and the sun was streaming into the best bedroom. It would have been absurd to be nervous, and it was only a quick mistaken impression, but it really made me feel queer. Somehow it made me think of the funny verdict of the coroner's jury on Luke's death, "by the hand or teeth of some person or animal unknown". Ever since that I've wished I had seen those marks on his throat, though the lower jaw was missing then.
I have often seen a man do insane things with his hands that he does not realize at all. I once saw a man hanging on by an old awning stop with one hand, leaning backward, outboard, with all his weight on it, and he was just cutting the stop with the knife in his other hand when I got my arms round him. We were in mid-ocean, going twenty knots. He had not the smallest idea what he was doing; neither had I when I managed to pinch my finger between the teeth of that thing. I can feel it now. It was exactly as if it were alive and were trying to bite me. It would if it could, for I know it hates me, poor thing! Do you suppose that what rattles about inside is really a bit of lead? Well, I'll get the box down presently, and if whatever it is happens to drop out into your hands, that's your affair. If it's only a clod of earth or a pebble, the whole matter would be off my mind, and I don't believe I should ever think of the skull again; but somehow I cannot bring myself to shake out the bit of hard stuff myself. The mere idea that it may be lead makes me confoundedly uncomfortable, yet I've got the conviction that I shall know before long. I shall certainly know. I'm sure Trehearn knows, but he's such a silent beggar
I'll go upstairs now and get it. What? You had better go with me? Ha, ha! do you think I'm afraid of a bandbox and a noise? Nonsense!
Bother the candle, it won't light! As if the ridiculous thing understood what it's wanted for! Look at that--the third match. They light fast enough for my pipe. There, do you see? It's a fresh box, just out of the tin safe where I keep the supply on account of the dampness. Oh, you think the wick of the candle may be damp, do you? All right, I'll light the beastly thing in the fire. That won't go out, at all events. Yes, it sputters a bit, but it will keep lighted now. It burns just like any other candle, doesn't it? The fact is, candles are not very good about here. I don't know where they come from, but they have a way of burning low occasionally, with a greenish flame that spits tiny sparks, and I'm often annoyed by their going out of themselves. It cannot be helped, for it will be long before we have electricity in our village. It really is rather a poor light, isn't it?
You think I had better leave you the candle and take the lamp, do you? I don't like to carry lamps about, that's the truth. I never dropped one in my life, but I have always thought I might, and it's so confoundedly dangerous if you do. Besides, I am pretty well used to these rotten candles by this time.
You may as well finish that glass while I'm getting it, for I don't mean to let you off with less than three before you go to bed. You won't have to go upstairs, either, for I've put you in the old study next to the surgery--that's where I live myself. The fact is, I never ask a friend to sleep upstairs now. The last man who did was Crackenthorpe, and he said he was kept awake all night. You remember old Crack, don't you? He stuck to the Service, and they've just made him an admiral. Yes, I'm off now--unless the candle goes out. I couldn't help asking if you remembered Crackenthorpe. If anyone had told us that the skinny little idiot he used to be was to turn out the most successful of the lot of us, we should have laughed at the idea, shouldn't we? You and I did not do badly, it's true--but I'm really going now. I don't mean to let you think that I've been putting it off by talking! As if there were anything to be afraid of! If I were scared, I should tell you so quite frankly, and get you to go upstairs with me.
Here's the box. I brought it down very carefully, so as not to disturb it, poor thing. You see, if it were shaken, the jaw might get separated from it again, and I'm sure it wouldn't like that. Yes, the candle went out as I was coming downstairs, but that was the draught from the leaky window on the landing. Did you hear anything? Yes, there was another scream. Am I pale, do you say? That's nothing. My heart is a little queer sometimes, and I went upstairs too fast. In fact, that's one reason why I really prefer to live altogether on the ground floor.
Wherever the shriek came from, it was not from the skull, for I had the box in my hand when I heard the noise, and here it is now; so we have proved definitely that the screams are produced by something else. I've no doubt I shall find out some day what makes them. Some crevice in the wall, of course, or a crack in a chimney, or a chink in the frame of a window. That's the way all ghost stories end in real life. Do you know, I'm jolly glad I thought of going up and bringing it down for you to see, for that last shriek settles the question. To think that I should have been so weak as to fancy that the poor skull could really cry out like a living thing!
Now I'll open the box, and we'll take it out and look at it under the bright light. It's rather awful to think that the poor lady used to sit there, in your chair, evening after evening, in just the same light, isn't it? But then--I've made up my mind that it's all rubbish from beginning to end, and that it's just an old skull that Luke had when he was a student and perhaps he put it into the lime merely to whiten it, and could not find the jaw.
I made a seal on the string, you see, after I had put the jaw in its place, and I wrote on the cover. There's the old white label on it still, from the milliner's, addressed to Mrs. Pratt when the hat was sent to her, and as there was room I wrote on the edge: "A skull, once the property of the late Luke Pratt, MD." I don't quite know why I wrote that, unless it was with the idea of explaining how the thing happened to be in my possession. I cannot help wondering sometimes what sort of hat it was that came in the bandbox. What colour was it, do you think? Was it a gay spring hat with a bobbing feather and pretty ribands? Strange that the very same box should hold the head that wore the finery--perhaps. No--we made up our minds that it just came from the hospital in London where Luke did his time. It's far better to look at it in that light, isn't it? There's no more connection between that skull and poor Mrs. Pratt than there was between my story about the lead and----
Good Lord! Take the lamp--don't let it go out, if you can help it--I'll have the window fastened again in a second--I say, what a gale! There, it's out! I told you so! Never mind, there's the firelight--I've got the window shut--the bolt was only half down. Was the box blown off the table? Where the deuce is it? There! That won't open again, for I've put up the bar. Good dodge, an old-fashioned bar--there's nothing like it. Now, you find the bandbox while I light the lamp. Confound those wretched matches! Yes, a pipe spill is better--it must light in the fire--hadn't thought of it--thank you--there we are again. Now, where's the box? Yes, put it back on the table, and we'll open it.
That's the first time I have ever known the wind to burst that window open; but it was partly carelessness on my part when I last shut it. Yes, of course I heard the scream. It seemed to go all round the house before it broke in at the window. That proves that it's always been the wind and nothing else, doesn't it? When it was not the wind, it was my imagination I've always been a very imaginative man: I must have been, though I did not know it. As we grow older we understand ourselves better, don't you know?
I'll have a drop of the Hulstkamp neat, by way of an exception, since you are filling up your glass. That damp gust chilled me, and with my rheumatic tendency I'm very much afraid of a chill, for the cold sometimes seems to stick in my joints all winter when it once gets in.
By George, that's good stuff! I'll just light a fresh pipe, now that everything is snug again, and then we'll open the box. I'm so glad we heard that last scream together, with the skull here on the table between us, for a thing cannot possibly be in two places at the same time, and the noise most certainly came from outside, as any noise the wind makes must. You thought you heard it scream through the room after the window was burst open? Oh yes, so did I, but that was natural enough when everything was open. Of course we heard the wind. What could one expect?
Look here, please. I want you to see that the seal is intact before we open the box together. Will you take my glasses? No, you have your own. All right. The seal is sound, you see, and you can read the words of the motto easily. "Sweet and low"--that's it--because the poem goes on "Wind of the Western Sea", and says, "blow him again to me", and all that. Here is the seal on my watch chain, where it's hung for more than forty years. My poor little wife gave it to me when I was courting, and I never had any other. It was just like her to think of those words--she was always fond of Tennyson.
It's no use to cut the string, for it's fastened to the box, so I'll just break the wax and untie the knot, and afterwards we'll seal it up again. You see, I like to feel that the thing is safe in its place, and that nobody can take it out. Not that I should suspect Trehearn of meddling with it, but I always feel that he knows a lot more than he tells.
You see, I've managed it without breaking the string, though when I fastened it I never expected to open the bandbox again. The lid comes off easily enough. There! Now look!
What! Nothing in it! Empty! It's gone, man, the skull is gone!
No, there's nothing the matter with me. I'm only trying to collect my thoughts. It's so strange. I'm positively certain that it was inside when I put on the seal last spring. I can't have imagined that: it's utterly impossible. If I ever took a stiff glass with a friend now and then, I would admit that I might have made some idiotic mistake when I had taken too much. But I don't, and I never did. A pint of ale at supper and half a go of rum at bedtime was the most I ever took in my good days. I believe it's always we sober fellows who get rheumatism and gout! Yet there was my seal, and there is the empty bandbox. That's plain enough.
I say, I don't half like this. It's not right. There's something wrong about it, in my opinion. You needn't talk to me about supernatural manifestations, for I don't believe in them, not a little bit! Somebody must have tampered with the seal and stolen the skull. Sometimes, when I go out to work in the garden in summer, I leave my watch and chain on the table. Trehearn must have taken the seal then, and used it, for he would be quite sure that I should not come in for at least an hour.
If it was not Trehearn--oh, don't talk to me about the possibility that the thing has got out by itself! If it has, it must be somewhere about the house, in some out-of-the-way corner, waiting. We may come upon it anywhere, waiting for us, don't you know?--just waiting in the dark. Then it will scream at me; it will shriek at me in the dark, for it hates me, I tell you!
The bandbox is quite empty. We are not dreaming, either of us. There, I turn it upside down.
What's that? Something fell out as I turned it over. It's on the floor, it s near your feet. I know it is, and we must find it. Help me to find it, man. Have you got it? For God's sake, give it to me, quickly!
Lead! I knew it when I heard it fall. I knew it couldn't be anything else by the little thud it made on the hearthrug. So it was lead after all and Luke did it.
I feel a little bit shaken up--not exactly nervous, you know, but badly shaken up, that's the fact. Anybody would, I should think. After all, you cannot say that it's fear of the thing, for I went up and brought it down--at least, I believed I was bringing it down, and that's the same thing, and by George, rather than give in to such silly nonsense, I'll take the box upstairs again and put it back in its place. It's not that. It's the certainty that the poor little woman came to her end in that way, by my fault, because I told the story. That's what is so dreadful. Somehow, I had always hoped that I should never be quite sure of it, but there is no doubting it now. Look at that!
Look at it! That little lump of lead with no particular shape. Think of what it did, man! Doesn't it make you shiver? He gave her something to make her sleep, of course, but there must have been one moment of awful agony. Think of having boiling lead poured into your brain. Think of it. She was dead before she could scream, but only think of--oh! there it is again--it's just outside--I know it's just outside--I can't keep it out of my head!--oh!--oh!
You thought I had fainted? No, I wish I had, for it would have stopped sooner. It's all very well to say that it's only a noise, and that a noise never hurt anybody--you're as white as a shroud yourself. There's only one thing to be done, if we hope to close an eye tonight. We must find it and put it back into its bandbox and shut it up in the cupboard, where it likes to be I don't know how it got out, but it wants to get in again. That's why it screams so awfully tonight--it was never so bad as this--never since I first----
Bury it? Yes, if we can find it, we'll bury it, if it takes us all night. We'll bury it six feet deep and ram down the earth over it, so that it shall never get out again, and if it screams, we shall hardly hear it so deep down. Quick, we'll get the lantern and look for it. It cannot be far away; I'm sure it's just outside--it was coming in when I shut the window, I know it.
Yes, you're quite right. I'm losing my senses, and I must get hold of myself. Don't speak to me for a minute or two; I'll sit quite still and keep my eyes shut and repeat something I know. That's the best way.
"Add together the altitude, the latitude, and the polar distance, divide by two and subtract the altitude from the half-sum; then add the logarithm of the secant of the latitude, the cosecant of the polar distance, the cosine of the half-sum and the sine of the half-sum minus the altitude"--there! Don't say that I'm out of my senses, for my memory is all right, isn't it?
Of course, you may say that it's mechanical, and that we never forget the things we learned when we were boys and have used almost every day for a lifetime. But that's the very point. When a man is going crazy, it's the mechanical part of his mind that gets out of order and won't work right; he remembers things that never happened, or he sees things that aren't real, or he hears noises when there is perfect silence. That's not what is the matter with either of us, is it?
Come, we'll get the lantern and go round the house. It's not raining--only blowing like old boots, as we used to say. The lantern is in the cupboard under the stairs in the hall, and I always keep it trimmed in case of a wreck.
No use to look for the thing? I don't see how you can say that. It was nonsense to talk of burying it, of course, for it doesn't want to be buried; it wants to go back into its bandbox and be taken upstairs, poor thing! Trehearn took it out, I know, and made the seal over again. Perhaps he took it to the churchyard, and he may have meant well. I dare say he thought that it would not scream any more if it were quietly laid in consecrated ground, near where it belongs. But it has come home. Yes, that's it. He's not half a bad fellow, Trehearn, and rather religiously inclined, I think. Does not that sound natural, and reasonable, and well meant? He supposed it screamed because it was not decently buried--with the rest. But he was wrong. How should he know that it screams at me because it hates me, and because it's my fault that there was that little lump of lead in it?
No use to look for it, anyhow? Nonsense! I tell you it wants to be found--Hark! what's that knocking? Do you hear it? Knock--knock--knock--three times, then a pause, and then again. It has a hollow sound, hasn't it?
It has come home. I've heard that knock before. It wants to come in and be taken upstairs in its box. It's at the front door.
Will you come with me? We'll take it in. Yes, I own that I don't like to go alone and open the door. The thing will roll in and stop against my foot, just as it did before, and the light will go out. I'm a good deal shaken by finding that bit of lead, and, besides, my heart isn't quite right--too much strong tobacco, perhaps. Besides, I'm quite willing to own that I'm a bit nervous tonight, if I never was before in my life.
That's right, come along! I'll take the box with me, so as not to come back. Do you hear the knocking? It's not like any other knocking I ever heard. If you will hold this door open, I can find the lantern under the stairs by the light from this room without bringing the lamp into the hall--it would only go out.
The thing knows we are coming--hark! It's impatient to get in. Don't shut the door till the lantern is ready, whatever you do. There will be the usual trouble with the matches, I suppose--no, the first one, by Jove! I tell you it wants to get in, so there's no trouble. All right with that door now; shut it, please. Now come and hold the lantern, for it's blowing so hard outside that I shall have to use both hands. That's it, hold the light low. Do you hear the knocking still? Here goes--I'll open just enough with my foot against the bottom of the door--now!
Catch it! it's only the wind that blows it across the floor, that's all--there s half a hurricane outside, I tell you! Have you got it? The bandbox is on the table. One minute, and I'll have the bar up. There!
Why did you throw it into the box so roughly? It doesn't like that, you know.
What do you say? Bitten your hand? Nonsense, man! You did just what I did. You pressed the jaws together with your other hand and pinched yourself. Let me see. You don't mean to say you have drawn blood? You must have squeezed hard by Jove, for the skin is certainly torn. I'll give you some carbolic solution for it before we go to bed, for they say a scratch from a skull's tooth may go bad and give trouble.
Come inside again and let me see it by the lamp. I'll bring the bandbox--never mind the lantern, it may just as well burn in the hall for I shall need it presently when I go up the stairs. Yes, shut the door if you will; it makes it more cheerful and bright. Is your finger still bleeding? I'll get you the carbolic in an instant; just let me see the thing.
Ugh! There's a drop of blood on the upper jaw. It's on the eyetooth. Ghastly, isn't it? When I saw it running along the floor of the hall, the strength almost went out of my hands, and I felt my knees bending, then I understood that it was the gale, driving it over the smooth boards. You don t blame me? No, I should think not! We were boys together, and we've seen a thing or two, and we may just as well own to each other that we were both in a beastly funk when it slid across the floor at you. No wonder you pinched your finger picking it up, after that, if I did the same thing out of sheer nervousness, in broad daylight, with the sun streaming in on me.
Strange that the jaw should stick to it so closely, isn't it? I suppose it's the dampness, for it shuts like a vice--I have wiped off the drop of blood, for it was not nice to look at. I'm not going to try to open the jaws, don't be afraid! I shall not play any tricks with the poor thing, but I'll just seal the box again, and we'll take it upstairs and put it away where it wants to be. The wax is on the writing-table by the window. Thank you. It will be long before I leave my seal lying about again, for Trehearn to use, I can tell you. Explain? I don't explain natural phenomena, but if you choose to think that Trehearn had hidden it somewhere in the bushes, and that the gale blew it to the house against the door, and made it knock, as if it wanted to be let in, you're not thinking the impossible, and I'm quite ready to agree with you.
Do you see that? You can swear that you've actually seen me seal it this time, in case anything of the kind should occur again. The wax fastens the strings to the lid, which cannot possibly be lifted, even enough to get in one finger. You're quite satisfied, aren't you? Yes. Besides, I shall lock the cupboard and keep the key in my pocket hereafter.
Now we can take the lantern and go upstairs. Do you know? I'm very much inclined to agree with your theory that the wind blew it against the house. I'll go ahead, for I know the stairs; just hold the lantern near my feet as we go up. How the wind howls and whistles! Did you feel the sand on the floor under your shoes as we crossed the hall?
Yes--this is the door of the best bedroom. Hold up the lantern, please. This side, by the head of the bed. I left the cupboard open when I got the box. Isn't it queer how the faint odour of women's dresses will hang about an old closet for years? This is the shelf. You've seen me set the box there, and now you see me turn the key and put it into my pocket. So that's done!
Goodnight. Are you sure you're quite comfortable? It's not much of a room, but I dare say you would as soon sleep here as upstairs tonight. If you want anything, sing out; there's only a lath and plaster partition between us. There's not so much wind on this side by half. There's the Hollands on the table, if you'll have one more nightcap. No? Well, do as you please. Goodnight again, and don't dream about that thing, if you can.
The following paragraph appeared in the Penraddon News, 23rd November 1906:
MYSTERIOUS DEATH OF A RETIRED SEA CAPTAIN
The village of Tredcombe is much disturbed by the strange death of
Captain Charles Braddock, and all sorts of impossible stories are
circulating with regard to the circumstances, which certainly seem
difficult of explanation. The retired captain, who had successfully
commanded in his time the largest and fastest liners belonging to one
of the principal transatlantic steamship companies, was found dead in
his bed on Tuesday morning in his own cottage, a quarter of a mile from
the village. An examination was made at once by the local practitioner,
which revealed the horrible fact that the deceased had been bitten in
the throat by a human assailant, with such amazing force as to crush
the windpipe and cause death. The marks of the teeth of both jaws were
so plainly visible on the skin that they could be counted, but the
perpetrator of the deed had evidently lost the two lower middle
incisors. It is hoped that this peculiarity may help to identify the
murderer, who can only be a dangerous escaped maniac. The deceased,
though over sixty-five years of age, is said to have been a hale man of
considerable physical strength, and it is remarkable that no signs of
any struggle were visible in the room, nor could it be ascertained how
the murderer had entered the house. Warning has been sent to all the
insane asylums in the United Kingdom, but as yet no information has
been received regarding the escape of any dangerous patient.
The coroner's Jury returned the somewhat singular verdict that Captain Braddock came to his death "by the hands or teeth of some person unknown". The local surgeon is said to have expressed privately the opinion that the maniac is a woman, a view he deduces from the small size of the jaws, as shown by the marks of the teeth. The whole affair is shrouded in mystery. Captain Braddock was a widower, and lived alone. He leaves no children.
(AUTHOR'S NOTE.--Students of ghost lore and haunted houses will find the foundation of the foregoing story in the legends about a skull which is still preserved in the farmhouse called Bettiscombe Manor, situated, I believe, on the Dorsetshire coast.)
Man Overboard!
YES -- I have heard "Man over-board!" a good many times since I was a boy, and once or twice I have seen the man go. There are more men lost in that way than passengers on ocean steamers ever learn of. I have stood looking over the rail on a dark night, when there was a step beside me, and something flew past my head like a big black bat -- and then there was a splash! Stokers often go like that. They go mad with the heat, and they slip up on deck and are gone before anybody can stop them, often without being seen or heard. Now and then a passenger will do it, but he generally has what he thinks a pretty good reason. I have seen a man empty his revolver into a crowd of emigrants forward, and then go over like a rocket. Of course, any officer who respects himself will do what he can to pick a man up, if the weather is not so heavy that he would have to risk his ship; but I don't think I remember seeing a man come back when he was once fairly gone more than two or three times in all my life, though we have often picked up the life-buoy, and sometimes the fellow's cap. Stokers and passengers jump over; I never knew a sailor to do that, drunk or sober. Yes, they say it has happened on hard ships, but I never knew a case myself. Once in a long time a man is fished out when it is just too late, and dies in the boat before you can get him aboard, and --well, I don't know that I ever told that story since it happened -- I knew a fellow who went over, and came back dead. I didn't see him after he came back; only one of us did, but we all knew he was there.
No, I am not giving you "sharks." There isn't a shark in this story, and I don't know that I would tell it at all if we weren't alone, just you and I. But you and I have seen things in various parts, and maybe you will understand. Anyhow, you know that I am telling what I know about, and nothing else; and it has been on my mind to tell you ever since it happened, only there hasn't been a chance.
It's a long story, and it took some time to happen; and it began a good many years ago, in October, as well as I can remember. I was mate then; I passed the local Marine Board for master about three years later. She was the Helen B. Jackson, of New York, with lumber for the West Indies, four-masted schooner, Captain Hackstaff. She was an old-fashioned one, even then -- no steam donkey, and all to do by hand. There were still sailors in the coasting trade in those days, you remember. She wasn't a hard ship, for the old man was better than most of them, though he kept to himself and had a face like a monkey-wrench. We were thirteen, all told, in the ship's company; and some of them afterwards thought that might have had something to do with it, but I had all that nonsense knocked out of me when I was a boy. I don't mean to say that I like to go to sea on a Friday, but I have gone to sea on a Friday, and nothing has happened; and twice before that we have been thirteen, because one of the hands didn't turn up at the last minute, and nothing ever happened either -- nothing worse than the loss of a light spar or two, or a little canvas. Whenever I have been wrecked, we had sailed as cheerily as you please -- no thirteens, no Fridays, no dead men in the hold. I believe it generally happens that way.
I dare say you remember those two Benton boys that were so much allke? It is no wonder, for they were twin brothers. They shipped with us as boys on the old Boston Belle, when you were mate and I was before the mast. I never was quite sure which was which of those two, even then; and when they both had beards it was harder than ever to tell them apart. One was Jim, and the other was Jack; James Benton and John Benton. The only difference I ever could see was, that one seemed to be rather more cheerful and inclined to talk than the other; but one couldn't even be sure of that. Perhaps, they had moods. Anyhow, there was one of them that used to whistle when he was alone. He only knew one tune, and that was "Nancy Lee," and the other didn't know any tune at all; but I may be mistaken about that, too. Perhaps they both knew it.
Well, those two Benton boys turned up on board the Helen B.Jackson. They had been on half a dozen ships since the Boston Belle, and they had grown up and were good seamen. They had reddish beards and bright blue eyes and freckled faces; and they were quiet fellows, good workmen on rigging, pretty willing, and both good men at the wheel. They managed to be in the same watch -- it was the port watch on the Helen B., and that was mine, and I had great confidence in them both. If there was any job aloft that needed two hands,they were always the first to jump into the rigging; but that doesn't often happen on a fore-and-aft schooner. If it breezed up, and the jibtopsail was to be taken in, they never minded a wetting, and they would be out at the bowsprit end before there was a hand at the downhaul. The men liked them for that, and because they didn't blow about what the could do. I remember one day in a reefing job, the downhaul parted and came do on deck from the peak of the spanker. When the weather moderated, and we shook the reefs out, the downhaul was forgotten until we happened to think we might soon need it again. There was some sea on, and the boom was off and the gaff was slamming. One of those Benton boys was at the wheel, and before I knew what he was doing, the other was out on the gaff with the end of the new downhaul, trying to reeve it through its block. The one who was steering watched him, and got as white as cheese. The other one was swinging about on the gaff end, and every time she rolled to leeward he brought up with a jerk that would have sent anything but a monkey flying into space. But he didn't leave it until he had rove the new rope, and he got back all right. I think it was Jack at the wheel; the one that seemed more cheerful, the one that whistled "Nancy Lee." He had rather have been doing the job himself than watch his brother do it, and he had a scared look; but he kept her as steady as he could in the swell, and he drew a long breath when Jim had worked his way back to the peak-halliard block, and had something to hold on to. I think it was Jim.
They had good togs, too, and they were neat and clean men in the forecastle. I knew they had nobody belonging to them ashore, -- no mother, no sisters, and no wives; but somehow they both looked as if a woman overhauled them now and then. I remember that they had one ditty bag between them, and they had a woman's thimble in it. One of the men said something about it to them, and they looked at each other; and one smiled, but the other didn't. Most of their clothes were alike, but they had one red guernsey between them. For some time I used to think it was always the same one that wore it, and I thought that might be a way to tell them apart. But then I heard one asking the other for it, and saying that the other had worn it last. So that was no sign either. The cook was a West Indiaman, called James Lawley; his father had been hanged for putting lights in cocoanut [sic] trees where they didn't belong. But he was a good cook, and knew his business; and it wasn't soup-and-bully and dog's-body every Sunday. That's what I meant to say. On Sunday the cook called both those boys Jim, and on week-days he called them Jack. He used to say he must be right sometimes if he did that, because even the hands on a painted clock point right twice a day.
What started me to trying for some way of telling the Bentons apart was this. I heard them talking about a girl. It was at night, in our watch, and the wind had headed us off a little rather suddenly, and when we had flattened in the jibs, we clewed down the topsails, while the two Benton boys got the spanker sheet aft. One of them was at the helm. I coiled down the mizzen-topsail downhaul myself, and was going aft to see how she headed up, when I stopped to look at a light, and leaned against the deck-house. While I was standing there I heard the two boys talking. It sounded as if they had talked of the same thing before, and as far as I could tell, the voice I heard first belonged to the one who wasn't quite so cheerful as the other, -- the one who was Jim when one knew which he was.
"Does Mamie know?" Jim asked.
"Not yet," Jack answered quietly. He was at the wheel. "I mean to tell her next time we get home."
"All right."
That was all I heard, because I didn't care to stand there listening while they were talking about their own affairs; so I went aft to look into the binnacle, and I told the one at the wheel to keep her so as long as she had way on her, for I thought the wind would back up again before long, and there was land to leeward. When he answered, his voice, somehow, didn't sound like the cheerful one. Perhaps his brother had relieved the wheel while they had been speaking, but what I had heard set me wondering which of them it was that had a girl at home. There's lots of time for wondering on a schooner in fair weather.
After that I thought I noticed that the two brothers were more silent when they were together. Perhaps they guessed that I had overheard something that night, and kept quiet when I was about. Some men would have amused themselves by trying to chaff them separately about the girl at home, and I suppose whichever one it was would have let the cat out of the bag if I had done that. But, somehow, I didn't like to. Yes, I was thinking of getting married myself at that time, so I had a sort of fellow-feeling for whichever one it was, that made me not want to chaff him.
They didn't talk much, it seemed to me; but in fair weather, when there was nothing to do at night, and one was steering, the other was everlastingly hanging round as if he were waiting to relieve the wheel, though he might have been enjoying a quiet nap for all I cared in such weather. Or else, when one was taking his turn at the lookout, the other would be sitting on an anchor beside him. One kept near the other, at night more than in the daytime. I noticed that.